The upcoming festival reveals special retrospectives on animators Mariusz Wilczyński and Jodie Mack; the 2021 Ottawa International Animation Festival runs online September 22 - October 3.
Makoto Shinkai’s highly acclaimed anime special edition release, from Shout! Factory, includes bonus features CD soundtrack; feature length documentary; interview with the director; ‘Weather Front’ featurette; and more.
Winner of numerous international accolades, Gitanjali Rao’s hand painted animated feature is an intimate and compelling ode to people in India living unfulfilled lives as they struggle to survive; debuts on Netflix December 4.
Free 10-day digital festival, featuring 100 films, including DreamWorks shorts and Annecy animation selections, begins May 29 on YouTube.
Animated documentary uses innovation in image and sound to portray famed inventor Nikola Tesla.
New NFB shorts by Patrick Bouchard and Oscar-winning duo Alison Snowden and David Fine to screen at upcoming Toronto International Film Festival.
Third animated feature from the makers of Oscar-nominated ‘Secret of Kells’ and ‘Song of the Sea’ is directed by Nora Twomey.
Animated documentary by New Zealand-based, Canadian-born director Leanne Pooley recreates the infamous 1915 Gallipoli campaign, one of the bloodiest and costliest blunders of the First World War.
The National Film Board of Canada teams with the Toronto International Film Festival to celebrate the 100th birthday of animation legend Norman McLaren with an outdoor program featuring seven short films set to live performances of original scores.
GKIDS celebrates three films at 2014 Toronto International Film Festival with world premiere of ‘Song of the Sea’ (TIFF KIDS), North American premiere of ‘The Tale of the Princess Kaguya’ (Masters), & North American premiere of ‘The Kingdom of Dreams and Madness’ (TIFF Docs).
The National Film Board of Canada presents a diverse lineup of stellar titles at the 2014 Toronto International Film Festival, including Oscar winner Torill Kove’s latest short film, ‘Me and My Moulton.’
