Netflix’s Emmy Award-winning series boasts colorful and emotive CG characters, forgoing the soft, rounded look of cell-shading that’s much easier to produce but not nearly as sharp, snappy, or stylized.
For the company’s 20th anniversary, its founder shares a selection of innovative work his teams have produced, on shows like ‘Wonder Woman,’ ‘1917,’ and ‘The Sandman,’ since opening its doors in 2002.
Visualization supervisor Tefft Smith talks previs, techvis, and postvis on the production of Akiva Schaffer’s hybrid live-action/CG animated action-comedy, starring John Mulaney and Andy Samberg, now streaming on Disney+.
The director’s vibrant, compelling short, ‘The Very Pulse of the Machine,’ channels Mobius’ psychedelia within an ambitious, toon shaded 3D/2D hybrid animation style to tell the story of an astronaut reeling from a deadly accident, trying to get back to her ship while using mind-warping drugs to counter her injuries.
Head of Visual Development and Character Design Ryan Meinerding talks about early twentieth-century influences for the character designs in Marvel Studios’ acclaimed new animated series, now playing on Disney+.
Animation Supervisor Stephan Franck talks about how the production’s creative ‘toys’ were all employed to mix 2D and 3D effects, backgrounds and characters into a visual style never seen before in Marvel Studios’ groundbreaking animated series, now playing on Disney+.
The production designer on Marvel Studios’ and Disney+’s first-ever animated series discusses the difficult, tireless work his ‘five-headed Hydra’ team performs poring over every detail of the stylized, mostly 2D show’s environments, lighting, color, and cinematography.
Executive producer Brad Winderbaum knew right away that the limitless creative canvas his new anthology series needed to explore any story, at any place in time, could only be achieved in animation.
Debuting today on Disney+, the studio’s first animated series, inspired by their 1977 comic anthology, tantalizes fans with alternate, hypothetical new versions of favorite stories, all observed and discussed in ‘Twilight Zone’ style by ‘The Watcher.’
The multiversal, hypothetical scenario exploration series rolls out August 11 on Disney+ with nine mind-bending episodes, including a super soldier Peggy Carter, T’Challa as Star-Lord, Marvel zombies, and more.
Inspired by ‘Yellow Submarine’ and dreamy 60s visuals, Emlyn Davies and Josh Hicks first take viewers to a vibrant euphoria, then a distorted hellscape, in the animated short supporting the ‘Medicine at Midnight’ album.
During Comic-Con panel, showrunner explains decision on integrating live-action with comic-style toon-shaded animation to finish episode halted due to the novel coronavirus.
With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.
Polish director Tomek Popakul’s Annie Award-nominated short film is a jagged, hypnotic Eastern European road trip viewed through a depressing but entrancing cartoon shaded daze.
Nine new episodes of animated fantasy series will continue the adventures of the show’s young heroes in their quest to stop an historic conflict from escalating into all-out war.
Wonderstorm’s creative team of Aaron Ehasz, Justin Richmond and Giancarlo Volpe delve into the making of the first season of their epic series centered around three unlikely heroes and their quest to stop an all-out war.
Director Roger Allers reflects on his own challenging journey bringing the famous book of poetry to the big screen.
