Iconic concept artist and designer known for work on films like ‘Blade Runner’ and ‘Tron’ passes away at age 86 of complications from lymphoma.
Tagged With: Tomorrowland
Disney unveils the first teaser trailer and poster for the follow-up to director Brad Bird’s Oscar-winning 2004 animated feature.
Featured speakers at interactive forum to be held Saturday, October 28 include Hollywood data hack expert Hemanshu Nigam and IMAX home entertainment president Jason Brenek.
Collection of Disney treasures also includes a rare ‘Beauty and the Beast’ animated window display and several theme park costumes.
Two–time Oscar-winning filmmaker, director, producer, animator and writer to be honored at the 21st annual Art Directors Guild’s Excellence in Production Design Awards for his contributions to narrative design.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk’ to compete at the Academy VFX bakeoff on Saturday, January 9, 2016.
Framestore announces the arrival of two new hires in Montreal, animation supervisor Kyle Dunlevy and visual effects supervisor Richard Hoover.
Montreal-based visual effects studio combines practical elements with CG to create a realistic look for Brad Bird’s ‘Tomorrowland,’ including digital matte painting, bluescreen compositing, scene enhancements, CG effects and simulation.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Universal and Legendary Pictures’ ‘Jurassic World’ ends Pixar's number-one opening winning streak, but ‘Inside Out’ exceeds expectations to score the top debut of all time for an original Pixar title.
Tefft Smith II discusses the extensive use of pitchvis, previs, techvis and postvis on Brad Bird’s new fantasy adventure.
Universal’s long-awaited dinosaur feature beats out the May 2012 launch of ‘The Avengers’ with a $208.8 million domestic debut, and becomes the first film to cross $500 million worldwide in a single weekend.
Costing $180 million to produce, Brad Bird’s live action fantasy adventure could see up to $140 million in losses by the time it finishes its global rollout.
Industrial Light & Magic VFX supervisor Eddie Pasquarello takes AWN on a whirlwind tour of the studio’s work on director Brad Bird's live action Disney feature.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Warner Bros.’ disaster film leads the North American box office with a $53.2 million domestic debut, the highest solo opening ever for star Dwayne Johnson.
Brad Bird’s ‘Tomorrowland’ suffers one of the worst Memorial Day starts in recent history with a $41.7 million North American debut. Meanwhile, ‘Mad Max: Fury Road’ speeds past the $100 million mark overseas.
Special presentation of the film -- featuring more than six minutes of footage to be introduced by director Brad Bird -- will screen exclusively in IMAX theatres beginning May 1.
Disney’s live-action remake of ‘The Jungle Book,’ due out April 15, 2016, will also be presented in Dolby Vision, with more titles to be announced.
Your questions about the future might just be answered in the new trailer for Brad Bird and Disney’s upcoming fantasy flick.