‘Arcane,’ ‘Bob’s Burgers,’ ‘Rick and Morty,’ ‘The Simpsons,’ and ‘What If…?’ are nominated for Outstanding Animated Program; ceremony will be held Monday, September 12 on NBC, streaming live for the first time on Peacock.
Tagged With: titles
New features and tool updates improve performance and enhance productivity with Premiere Pro and Character Animator, including faster ProRes on Apple M1 Pro and M1 Max, title graphics upgrades for improved search and replace tool, and puppet maker to give animators new ways to create, customize and animate characters
‘Big Mouth,’ ‘Bob's Burgers,’ ‘Genndy Tartakovsky's Primal,’ ‘The Simpsons,’ and ‘South Park: The Pandemic Special’ are nominated for Outstanding Animated Program; ceremony will be held Sunday, Sept. 19 on the CBS Television Network and streamed live and on demand on Paramount+.
To create a vibrant retro mood for the futuristic sci-fi series, creative director Sharon Lock used After Effects and Cinema 4D, with live-action and hand-painted elements, to complement the production team's vision and visual language.
Working with a team of six artists, director Steve Small employs a combination of 3D, rotoscope and hand-drawn artwork for the haunting, elegant main titles serving as the backstory for the HBO Max sci-fi series.
This year’s animated and VFX-driven shows represent continuing excellence in animation and VFX production for TV, much done remotely from home in the face of the COVID-19 pandemic.
‘Big Mouth,’ ‘Bob’s Burgers,’ ‘BoJack Horseman,’ ‘Rick and Morty’ and ‘The Simpsons’ receive nominations for Outstanding Animated Program.
HBO garners multiple wins including Outstanding Special Visual Effects, Special Visual Effects in a Supporting Role, Main Title Design and Production Design.
‘Big Mouth,’ ‘Bob’s Burgers,’ ‘BoJack Horseman,’ ‘Adventure Time’ and ‘The Simpsons’ receive nominations for Outstanding Animated Program.
The biggest night in television will air live (8-11pm ET / 5-8pm PT) at the Microsoft Theatre in Downtown Los Angeles.
New company to focus on titles, experiential and broadcast design for film, TV, commercials and branded content.
U.K.-based boutique motion graphics and visual effects facility creates psychoactive graphics and a hallucinatory title sequence for feature documentary exploring the widespread adoption and dangerous effects of Adderall.
HBO’s ‘Game of Thrones’ wins outstanding special visual effects for ‘Beyond the Wall’ episode; TNT’s ‘The Alienist’ awarded for outstanding special visual effects in a supporting role for “The Boy On The Bridge.”
‘Big Hero 6: The Series,’ ‘Bob’s Burgers,’ ‘Rick and Morty,’ ‘The Simpsons’ and ‘South Park’ receive nominations for Outstanding Animated Program.
‘The Handmaid’s Tale’ wins award for Outstanding Production Design; Netflix series ‘Strangers Things’ awarded for Outstanding Main Title Design.
Method’s team, led by director Johnny Likens, designed an eerie opening sequence that illustrated a feeling of dread with sinister overtones, for FOX’s reimagining of the 1973 film.
In its fifth collaboration with Marvel Studios, Chicago-based design company animates a series of intricate mandalas for the 90-second main title sequence for director Scott Derrickson’s ‘Doctor Strange.’
Creative studio IF unveils a sneak peek into the behind-the-scenes process for creating its Emmy-nominated title sequences for Marvel’s ‘Jessica Jones’ and HBO’s ‘Vinyl.’
Early bird deadline for submissions to international awards in motion graphics, animation and broadcast design is May 3.
Zazzera previously led production for title sequences for ‘Captain America: The Winter Soldier,’ ‘Guardians of the Galaxy’ and ‘Ant-Man.’
Memorial celebration for Bob Balser, the animation director for The Beatles’ 1968 feature, ‘Yellow Submarine,’ to be held Saturday, January 16 at the Marina City Club in Marina del Rey, CA.
Best-known for his work as animation director alongside Jack Stokes on the groundbreaking animated feature, ‘Yellow Submarine,’ Balser also directed the “Den” sequence in ‘Heavy Metal.’
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.
Designer Mike Perry discusses the evolution of the animated title sequence and visual identity for Comedy Central’s ‘Broad City.’