Tagged With: Time
Bob Clampett, Boy Wonder Of Stage C
Everyone knows the Bob Clampett of Termite Terrace, but what about the Bob Clampett that received 3 Emmies for one of television's first daily live puppet shows, Time for Beany? Robert Story was there and tells us this and other stories.
BEANY AND CECIL come to DVD
Image Entertainment is releasing BOB CLAMPETT'S BEANY AND CECIL: THESPECIAL EDITION DVD on October 12, 1999 in the US. Created by RobertClampett, BEANY AND CECIL, about the adventures of a sea sick sea serpentand his pal, Beany, began as a live broadcast puppet show, TIME FOR BEANY,in the 1950s, before being re-done as an animated series in the early1960s. There was also a brief revival for Saturday morning television inthe 1980s. The DVD will include a dozen of the original Beany and Cecil
Dinosaurs Never See It Coming: Are the Gatekeepers Clueless?
Buzz Potamkin introduces us to disintermediation, the process of squeezing out the middleman and asks how much longer will the Internet be classified as "new" media before it becomes "the" media.
Playing Games With Blue
Nick Jr.'s dog Blue has taken pre-schoolers, and their parents, by storm. Judith Cockman reviews three Blue's Clues CD-Rom interactive games: ABC Time Activities, Blue's Birthday Adventure and Blue's 1,2,3 Time Activities.
Editor's Notebook
The Age of Prime Time Animation
Every network on TV seems to have a prime time cartoon thesedays. Martin "Dr. Toon" Goodman explores some of the causativefactors behind this rush to the evening tube.
Job openings at The Art Institute of Atlanta
Artist John McGrew passes away
John McGrew, a layout artist for Chuck Jones Warner Bros. unit from 1938 to 1943, passed away on January 11, 1999 in France at the age of 88. McGrews contributions to the artform are often overlooked because of the short time he spent in the business, but his layouts and color stylings for THE DOVER BOYS, THE ARISTO-CAT, CONRAD THE SAILOR and SUPER RABBIT, among others films, were groundbreaking and revolutionary for their time. Chuck Jones has often said in interviews that McGrew helped introduce a more abstract and design-influenced background style.
Director and After Effects: Storyboarding Innovations on The Iron Giant
Brad Bird, director of Warner Bros. Feature Animation's The Iron Giant, discusses the latest in storyboarding techniques and how he applied them to the film.
Prime Time Emmys to Air on TV Land
Friday, September 11. Los Angeles, California, U.S.A.
The 50th annual Prime Time Emmy Awards will take place, and will simultaneously air on the cable network, TV Land. The winner in the animated series category will be included in the next Animation Flash.
Editor's Notebook
Editor's Notebook
Animating in the Spotlight: Creating Prime Time
Film Roman's Mike Wolf outlines the pre-production process of prime time animation and focuses on the features that make prime time special.
And I Get Paid!?!: The Life of a Voice Actor
March 1998,In the last few years, animation and voice-over have become a source of great interest to folks, but for quite some time it was a niche...
Tuning in to the IBCTA
The IBCTA panel on "Finding a Niche." Front row, left-right: moderator Fred Seibert, panelists Bill Kopp, Sue Rose, and back row: Corky Quakenbush, Brown Johnson and Mike Lazzo. Photo by and Craig Skinner/Celebrity Photo, courtesy of WAC.
As I, a hopeful creator/future filmmaker for non-violent media, planned my trip to the second year of the World Animation Celebration, there were a variety of topics at this year's International Business Conference of Television Animation (IBCTA) that caught my eye. Abuzz with energy, a standing room only crowd of people from as far as...
Editor's Notebook
Editor's Notebook
The Creation of an Icon: MTV
In a personal memoir, Candy Kugel describes how she and a small team created an icon that would one day take the world by storm.
Editor's Notebook
Surviving MIP: A Buyer's Guide
Theresa Plummer-Andrews recounts her typical experience as one of the most sought after buyers at one of the world's largest markets.