Volume 2 of Netflix’s ‘Love, Death + Robots’ animated anthology challenges us to see reality through new eyes, encouraging us to be curious and reflect on the intimate connection between beauty and death, and what it means to be human.
Tagged With: Tim Miller
Oscar-nominated director Robert Valley details the creative and visual development process behind his grim, futuristic tale of the rift between two brothers over the ‘unmodded’ who don’t receive human strength and endurance enhancement on their colony world.
Netflix drops a sex, violence, and F-bomb riddled R-rated official trailer that perfectly showcases the show’s intense, in-your-face vibe.
With ‘Kung Fu Panda 2’ and ‘3’ director Jennifer Yuh Nelson at the helm, new season of Tim Miller and David Fincher’s Emmy Award-winning animation anthology series premieres May 14.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Industry veteran to oversee Los Angeles team’s art department, visualization, real-time production and VFX.
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
Fox’s perennial favorite and Netflix’s new anthology series receive awards for Outstanding Animated Program and Outstanding Short Form Animated Program, while Seth MacFarlane wins for Outstanding Character Voice-Over Performance for ‘Family Guy.’
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Netflix sets March 15 as launch date for ‘Love Death + Robots,’ 185 minutes of startlingly dynamic animation not for the viscerally challenged!
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell converge in an 185-minute genre orgy of *NSFM* (not suitable for mainstream) shorts.
The studio’s co-founder and VFX supervisor details the fully CG fight chase sequence from Tim Miller’s smash Marvel super hero adventure hit.
Popular ‘Nerdist-style’ computer graphics art podcast features in-depth, personal discussions with some of the top minds in VFX, VR and design.
‘Deadpool’ director Tim Miller to present short film program; Pixar director Pete Docter and producer Jonas Rivera to present animated features program.
Blur Studio co-founder exits 20th Century Fox’s blockbuster sequel due to a series of creative differences with star Ryan Reynolds.
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
It’s a big day for movie sequels as 20th Century Fox officially announces ‘Deadpool 2’ and unveils footage from Blue Sky’s ‘Ice Age: Collision Course,’ ‘X-Men: Apocalypse’ and Roland Emmerich’s ‘Independence Day: Resurgence.’
Former Digital Domain VFX and Compositing Supervisor oversaw work for spots for brands including Nike, Lexus, Cadillac, Nissan, Kia, ‘Assassin’s Creed’ and the ‘Destiny’ franchise.
Blur Studios employs NVIDIA’s GPU-powered rendering solutions to provide cinema-quality previsualization shots of the action-packed 90-second opening sequence in Tim Miller’s ‘Deadpool.’
Led by VFX supervisor Wayne Brinton, Montreal studio delivers grotesque skin transformation, Helicarrier crash sequence, set extensions, and complex sequences requiring fire and embers for Tim Miller’s R-rated depiction of the Marvel Comics anti-superhero.
Directed by Tim Miller with VFX from Blur Studio, 20th Century Fox’s ‘Deadpool’ arrives in theaters on February 12, 2016.