The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.
Tagged With: Sue Rowe
SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.
Call for submissions for Vancouver conference and festival running October 25-28 extended to September 10.
Vancouver’s largest VFX studio taps Michelle Grady and Ryan Pollreisz to oversee growing roster of top talent, brings on experienced artists Sue Rowe and Daniel Cox.