The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.
SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.
Call for submissions for Vancouver conference and festival running October 25-28 extended to September 10.
Vancouver’s largest VFX studio taps Michelle Grady and Ryan Pollreisz to oversee growing roster of top talent, brings on experienced artists Sue Rowe and Daniel Cox.
Method Studios was involved in the creation of 150 character shots and 380 environment shots for the YA adaptation.
