‘Kung Fu Panda’ director’s long-awaited CG/stop-motion adaptation of the classic French novella finally gets released in the U.S.
Video game adaptation distributed by Legendary Pictures grosses $5.32 million, or RMB 35 million, on 290 IMAX screens across China.
According to the director of Disney’s latest hit feature, ‘The Jungle Book’ could be called both live-action and animated.
New full-length trailer showcasing stunning visuals created by Double Negative and Sony Pictures Imageworks features P!nk's cover of ‘White Rabbit.’
Open to 20 selected applicants, six-month program designed to train to train filmmakers from the U.K. and France in VFX and Stereo 3D techniques runs June through November 2016; deadline for submissions is March 1.
Deluxe-owned company is commissioned by Lucasfilm and The Walt Disney Studios to create the stereoscopic editions for three upcoming releases in the iconic ‘Star Wars’ franchise.
David Sheldon-Hicks, Marti Romances and Peter Eszenyi share how they cued off authentic NASA mission control systems to bring realistic computer UI designs to Ridley Scott’s sci-fi hit.
Prime Focus World delivers 15 minutes of stereo footage for Ridley Scott’s space epic with the help of its View-D conversion pipeline and Blackmagic Design’s Fusion Studio.
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
Studio 100 Media signs deal with NBCUniversal’s preschool TV network Sprout for the rights to CG-animated series and Stereoscopic 3D feature, ‘Maya the Bee.’
Stereoscopic theatrical trailer will open S3D films on over 8,000 screens worldwide.
Geneva Film Co. and Prospero Pictures developing a feature film, television series and Virtual Reality experience based on award-winning animated short from Toronto-based director and stereoscopic 3D pioneer James Stewart.
VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
Created by BAFTA-winning animator, director and leading zoetrope artist Jim Le Fevre, the eight-foot tall and six-foot wide stroboscope spins at 33.3rpm and is illuminated by a strobe-rig to create the optical illusion of animation.
Twenty-year veteran has worked on fan-favorite franchises from Marvel such as Joss Whedon’s ‘The Avengers,’ Kenneth Branagh’s ‘Thor’ and Jon Favreau’s ‘Iron Man.’
The veteran French producer discusses Paris-based TeamTO Studio’s first CG animated feature film.
Burbank-based visual effects company Stereo D plans to reduce its California employee base as part of its upcoming move to open a Toronto office.
Stereoscopic technology specialist RealD sees a trio of exec departures: COO and general counsel Craig Gatarz and senior VPs Rick Heineman and Jed Harmsen.
Advanced support for native stereo 3D workflows and Python scripting simplify tracking and rotoscoping on complex VFX projects.
Disney’s Katie Fico is slated to keynote IMMERSION 2014 with ‘Frozen: The Art of 3D Storytelling.’
The prolific experimental animator discusses his latest film and the message, or lack of one, behind his musical and visual decision-making.
Milk Delivers VFX in stereoscopic 3D for Doctor Who 50th anniversary special.
Gene Deitch, who has seen and heard it all, gives his assessment of 3-D.
CGSD unveils its DS-100 Virtual Reality Driving Simulator for the first time at this year's SIGGRAPH.
