Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’ annual Visual Effects Bake-Off.
Led by VFX supervisor Stephane Paris, the Montreal studio delivers 200 visual effects shots for the latest Marvel Studios feature directed by Peyton Reed.
Led by VFX supervisor Andrew Hellen, Method artists visualize the unimaginable for the new Marvel Studios feature directed by Peyton Reed.
The 2017 VFX Oscar-nominated films showcase the versatility and range of visual effects artists.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Contenders in the animated feature, animated short and visual effects categories share their initial reactions to their nominations for Oscar gold.
Abstract: Nominees for Best Animated Feature are ‘Kubo and the Two Strings,’ ‘Moana,’ ‘My Life as a Zucchini,’ ‘The Red Turtle,’ and ‘Zootopia.’
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
The action-adventure film’s overall VFX supervisor discusses visual design, fractals and practical effects used on Marvel’s latest hit.
Framestore provides more than 365 shots for the Marvel Studios blockbuster directed by Scott Derrickson, with work spanning CG environments and complex ‘Mandlebrot’ sets, digi-doubles of key characters, and the creation of Doctor Strange’s astral form used throughout the film.
The Academy invites 26 new members to join the Short Films and Feature Animation branch; 23 new members are invited to join the Visual Effects branch.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
