Audiences take a stunning visual tour of artwork across the ages, including Egyptian hieroglyphics, Aboriginal cave paintings, Middle Age tapestries, and Indonesian shadow puppets, in Oscar-winner Chloé Zhao and Marvel Studios’ superhero adventure.
The VFX studio delivers over 400 shots, including each character’s elaborate CG suit formation effects, as well as Phastos’ holographic printing press used to create all manner of items.
See the MCU’s newest team of superheroes, immortal beings forced out from the shadows to reunite and protect humanity against their oldest enemy; film hits all major digital platforms January 12, and 4K Ultra HD, Blu-ray, and DVD February 15, complete with gag reel and deleted scenes.
Leading visual effects studio delivers 233 shots across 12 sequences, including the action-packed battle through Camden between the deviant Kro and Eternals Sersei and Sprite, turning a double decker bus into rose petals, and extensive cosmic FX work including suns, big bang explosions, and supernovas, on Marvel’s latest MCU adventure.
The leading VFX studio delivers 552 visual effects shots on Oscar-winning director Chloé Zhao’s MCU Phase 4 adventure, including the 3rd act beach fight scenes and planet-sized Celestial Tiamut.
Travel through time and space to meet the characters, and their backstories, in the studio’s first-of-its-kind iOS-exclusive mobile app, available now; latest MCU adventure hits theaters today, November 5.
The MCU’s immortal superheroes come out from the shadows after thousands of years to battle mankind’s oldest enemy; written and helmed by Oscar-winning ‘Nomadland’ director Chloé Zhao, the film opens November 5, 2021.
Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’ annual Visual Effects Bake-Off.
Led by VFX supervisor Stephane Paris, the Montreal studio delivers 200 visual effects shots for the latest Marvel Studios feature directed by Peyton Reed.
Led by VFX supervisor Andrew Hellen, Method artists visualize the unimaginable for the new Marvel Studios feature directed by Peyton Reed.
The 2017 VFX Oscar-nominated films showcase the versatility and range of visual effects artists.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Contenders in the animated feature, animated short and visual effects categories share their initial reactions to their nominations for Oscar gold.
Abstract: Nominees for Best Animated Feature are ‘Kubo and the Two Strings,’ ‘Moana,’ ‘My Life as a Zucchini,’ ‘The Red Turtle,’ and ‘Zootopia.’
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
The action-adventure film’s overall VFX supervisor discusses visual design, fractals and practical effects used on Marvel’s latest hit.
Framestore provides more than 365 shots for the Marvel Studios blockbuster directed by Scott Derrickson, with work spanning CG environments and complex ‘Mandlebrot’ sets, digi-doubles of key characters, and the creation of Doctor Strange’s astral form used throughout the film.
The Academy invites 26 new members to join the Short Films and Feature Animation branch; 23 new members are invited to join the Visual Effects branch.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
