Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.
Tagged With: Star Wars: The Last Jedi
New heads of 2D and 3D animation bring their extensive experience to lead kids and family division production teams.
Grant Walker and Ahmed Garraph join the leadership ranks for the studio’s advertising, television and immersive entertainment work.
Conference set for April 24-27 also will explore virtual product lifecycle and how expanded realities can make a valuable impact on society.
Marvel Studios’ most-recent entry is the third-fastest film to reach the half-billion mark at the domestic box office.
All five Oscars best visual effects nominees used software made by the company, whose employees also were honored by the Television Academy and at the Sci-Tech Awards.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Animal-rights group rewards films for storylines positive to animals and use of CG imagery instead of live creatures.
Digital and Blu-ray editions in HD and 4K include extensive bonuses including a feature-length making-of documentary and 14 deleted scenes.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
All five nominees for best visual effects for the past 10 years have used the company’s Quadro GPUs to create their work.
Mocap setup was brought to Pinewood to record Lupita Nyong’o’s scene in the Oscar-nominated ‘Star Wars’ film.
From preproduction through postproduction, design supervisor Kevin Jenkins helps safeguard the visual language of the Star Wars universe for the eighth episode in the iconic franchise.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 90th Academy Awards.
Studio entries ‘Boss Baby,’ ‘Coco’ and ‘Ferdinand’ face off against indies ‘The Breadwinner’ and ‘Loving Vincent’ for the Best Animated Feature Oscar.
Winners in 24 categories will be announced Feb. 13 at a gala awards ceremony at the Beverly Hilton Hotel.
Creative teams from 10 Oscar hopefuls present their contributions at the Academy’s annual Visual Effects Bake-off held on Saturday, January 6 at the Samuel Goldwyn Theater in Beverly Hills, CA.
Hand-in-hand with filmmakers, FotoKem’s creative and technical teams supported global production on a massive scale.
Disney’s most-recent ‘Star Wars’ entry edges out ‘Jumanji: Welcome to the Jungle’ in busy holiday weekend.
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.