Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.
Tagged With: spots
‘Stair Climb 500’ freshens up the 60-year-old iconic Charlie the Tuna fresh in the animated/live-action hybrid spot; new ad is first of two collaborations planned for 2021 with PA-based agency Quench.
Duo brings their unique storytelling approach to the studio’s talent roster; their short film ‘Peepin’ was featured a several festivals including Pictoplasma, KLIK, and AACTA.
In support of World Whale Day, Vancouver studio mixes stylized, illustrative, line-based 2D and 3D animation to depict how bowhead whales are being threatened by man-made underwater noise.
The third spot in a set of four developed by Rebecca Sugar and Ian Jones-Quartey each feature a different character from the hit series, providing kids and families productive ways to counter common narratives about racism.
Integration will optimize inter-departmental collaboration, enhancing overall service offerings; leading the transition are award-winning editors Eddie Kesler and Matt Barron.
The studio behind ‘Wallace and Gromit’ launches initiative with a series of short, animated films portraying the challenges most commonly faced by young adults, including loneliness, perfectionism, competitiveness, independence, and social media.
DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.
In looking to the heavens to engage the public in a conversation about the global water crisis, the thought-provoking 2D spot kicks off WaterAid’s new campaign.
Creative production studio Ataboy and advertising agency Merkley + Partners create fun, fast-paced, collage-inspired animation to promote the hamburger chain’s comfort food lineup; created during the pandemic, all work was produced remotely.
Both artists are known for their diverse skill sets including 3D, VFX, graphic design, photography, animation, and design.
Having joined the creative production studio’s roster in 2018, artist now takes the lead on growing slate of projects while helping mentor emerging talent.
Creative studio Laundry’s ‘40 Million Reasons to Go Electric’ features bright, avant-garde 2D animation paired with music by LA-based singer Ayoni.
Blinkink director Sam Gainsborough unleashes Supercell’s hit game characters to wreak havoc on Leith’s perfectly constructed gingerbread village.
Director and designer, known for his fun, playful aesthetic, employs a diverse array of creative animation techniques to tell stories; his work include projects for MTV, TED-Ed, and Lyft.
Agency spot, ‘The Wheel,’ for the upcoming Volkswagen vehicle launch was produced in a single shot and uses real Zoetropes to beautifully illustrate progressive stages of transportation.
Flipbook Studio founder Andrew Lord shares a list of his favorite UK commercials that warmly affirm the spirit of the season.
The veteran cartoonist, animator, and teacher’s career spanned 65 years and included stops at a number of well-known studios as well as New York’s School of Visual Arts.
Digital Domain added decades to the soccer star’s face without producing any geometry using their non-invasive face-swapping technology, Charlatan.
The famed British stop-motion and CG studio has partnered with BANDAI NAMCO, Netflix, and DFS to create multiple new IPs.
Creative design company and the David Yurman Holiday Express train take viewers on a sparkling adventure through stars, a meteorite-like mountain, and a miniature city.
Studio tasked by Runtime to create a series of shorts using humorous animation to reinforce a message about eating right.
‘BoxsBallet,’ ‘My friend who shines in the night,’ and ‘Seoulsori,’ also take home awards in an online ceremony from the 12th annual festival, running through November 8; WIA Diversity Award winners also announced.