The co-founder and Chief Creative Officer of Toronto’s Industrial Brothers discusses developing, funding, and selling an animated TV series.
Tagged With: Spike Decker
The artist discusses the ins and outs of what an editor for animation does, and what it takes to produce a new episode each month of his own indie show.
The Disney artist discusses her career path that eventually saw her work on some of TV’s biggest animated shows, including ‘The Simpsons’ and ‘American Dad!’
The Hawaiian filmmakers discuss their 2D animated short, which tells the story of the healing power of four mysterious stones found on Waikiki Beach in Hawaii - and the legendary dual male and female spirits within them.
Chris Lavis and Maciek Szczerbowski, who produced ‘Madame Tutli-Putli’ and ‘Higglety Pigglety Pop! or There Must Be More to Life’ with the National Film Board of Canada, discuss their upcoming NFB film and how they created strange hats for Cirque du Soliel.
The series creator discusses his show’s rollercoaster journey from humble webcomic to fan favorite and Season 2 renewal.
The 3D animation director at Arcana Studio in Vancouver shares the skills he worked on that took him from animation graduate to animation director.
The entertainment studio CEO discusses expanding from indie comic publishing into 3D feature film, TV series, and short film production.
The stop-motion animator discusses how studios from different countries can collaborate efficiently.
The stopmo maven talks about setting up and running a studio, sharing her experience on projects for brands like Califia Farms, Care Skincare, and Expedia.
UK-based independent rotoscoper Flora Martyr shares her process to create pristine rotoscope animations.
Co-creators Casey Follen, Alexis Deprey, and Cami Kwan discuss their community of animation professionals who’ve come together to highlight and share original work from artists in the industry.
The senior character animator on cinematics for games like ‘Halo,’ ‘Warcraft,’ and ‘Diablo’ shares his top tips on how to excel in CG.
Andrew Koehler and Benjamin Martian discuss the origins of their Adult Swim series, the decade and a half it took to reach the screen, and the most ridiculous joke they put into Season 2.
Artist walks through her journey from animation student, to intern, to working on the new series of classic Warner Bros. cartoons.
The producer discusses Pal’s commercial and narrative stop-motion productions of the 1930s and 1940s, as well as new unreleased footage coming in his new movie.
The screenwriter, YouTuber, and self-taught animator shares how she mustered a team of 30 to produce her show.
The talented supervising director on ‘Tuca & Bertie’ discusses his path from Max the Mutt Animation School graduate to directing on ‘BoJack Horseman.’
The talented producer, who’s worked on films like Coraline, The Nightmare Before Christmas, and Monkey Bone, talks about her career focused on bringing stop-motion projects to life.
The storyteller, stop-motion animator, and founder of #MoStopMo shares his insights on how to pursue a career in narrative projects.
The Australian voiceover artist on Adult Swim’s new series shares his method for nailing parts, and gives his best advice for others looking to pursue voice acting for animation.
The animator shares his story of interning, twice, at the famed Portland studio, tricks he learned on the Amazon Prime kid’s show, and whether it’s worth pursuing a career in stop-motion.
The creator, and voice actor, from the Adult Swim animated series discuss their Season 3 renewal and 14-year hiatus.
The multiple Emmy and Annie Award-winning director, producer, and co-creator of the famed Adult Swim series shares a behind-the-scenes look of the upcoming 200th episode.