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Tagged With: Scanline

Head into the Cloud at SIGGRAPH 2022 Headline News

AWS Showcases Content Production in the Cloud at SIGGRAPH 2022

By Dan Sarto | Monday, August 1, 2022 at 8:00am

A fireside chat with ‘Love, Death + Robots’ creator Tim Miller and talks with Wētā Digital / Unity, Animal Logic, Framestore and other top studios about the latest in cloud-enabled content workflows and products highlight Amazon Web Services’ conference plans this coming August 8-11.

The Dark Knight Returns! VFXWorld

Scanline VFX Goes with the Flow on ‘The Batman’

Leading visual effects studio delivers 217 shots across 11 sequences in the DC thriller’s action-packed third act, including the destruction of seven dams and subsequent tsunami that engulfs Gotham Square Gardens.

Feature Film VFX Headline News

Scanline Comes up Roses with ‘Eternals’ VFX

By Dan Sarto | Thursday, December 23, 2021 at 1:19pm

Leading visual effects studio delivers 233 shots across 12 sequences, including the action-packed battle through Camden between the deviant Kro and Eternals Sersei and Sprite, turning a double decker bus into rose petals, and extensive cosmic FX work including suns, big bang explosions, and supernovas, on Marvel’s latest MCU adventure.

Fly the Unfriendly Skies! VFXWorld

Scanline Delivers an Abrupt Change in Travel Plans for ‘Blood Red Sky’

Visual Effects studio produces 527 shots on Peter Thorwarth’s harrowing tale of an airplane hijacking gone astray because of one passenger with an unnatural thirst for blood.

Feature Film VFX Headline News

WATCH: Scanline’s ‘Black Widow’ VFX Breakdown Reel

By Dan Sarto | Friday, August 6, 2021 at 2:07pm

Leading visual effects studio delivers 163 shots across 4 sequences, including Natasha Romanoff’s car exploding and rolling across a bridge in her fight with Taskmaster, for Marvel Studio’s latest MCU action adventure.

A Cut Above the Rest! VFXWorld

Scanline VFX Tackles the Cosmic Rewind in ‘Zack Snyder’s Justice League’

Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.

HBO VFXWorld

Scanline Reveals Throne Melt and King’s Landing Destruction in ‘GOT’ Season 8 VFX Breakdown

By Dan Sarto | Tuesday, September 3, 2019 at 3:07pm

Studio delivers 60 minutes of spectacular visual effects, including epic battles, destruction and Clegane brothers fight on final three episodes of HBO’s hit fantasy adventure series, ‘Game of Thrones.’

Visual Effects VFXWorld

Water World: Delivering Blockbuster-Quality VFX for Warner Bros.’ ‘Aquaman’

VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.

Feature Film VFX VFXWorld

Sony Pictures Imageworks Takes A Bite Out of ‘The Meg’

By Dan Sarto | Friday, August 31, 2018 at 5:39pm

SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.

Shotgun Software Headline News

Shotgun Facilitates 300 Remote Artists for ‘The Squonk’ Short

Berlin-based filmmaker Jannis Funk relies on Shotgun to manage a team of 300 remote VFX artists, a library of 900 miniature models, and overall production tracking and review.