Animation director Kirsten Lepore discusses the herculean challenges of working with a miniscule mollusk in the Oscar-nominated, Annie Award-winning Marcel the Shell with Shoes On, now in theaters and streaming on Showtime.
The director and co-creator shares his seven-year journey to produce the Oscar nominated, Annie Award-winning stop-motion animated film about a tiny, googly eyed, tennis shoe-wearing seashell hoping to one day reconnect with his long-lost family.
Brothers Stephen, Edward, and Charles are pleased director Dean Fleischer Camp didn’t listen to their ideas about making the Oscar-nominated film; changing their approach to stop-motion ultimately helped them capture the director’s unique vision and deliver his special brand of storytelling magic.
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
Emmy Award winner Colman Domingo and co-writer and co-director Raúl Domingo talk about their animated short film, dedicated to Black mothers and sons and the love that sustains them through numerous hardships, which has been shortlisted for an Oscar.
Director Hisko Hulsing talks about the production of Prime Video’s acclaimed animated series, from the many supervisory hats he wears to the sublimity of the writing.
Co-creators Kate Purdy and Raphael Bob-Waksberg talk about the long-awaited second season of their mind-bending Prime Video series, including how they distill life’s mysteries into the narrative, and production lessons learned on ‘BoJack Horseman.’
Co-creators Kate Purdy and Raphael Bob-Waksburg’s groundbreaking, rotoscope animated drama, about a young woman trying to harness her newfound time traveling skills and unravel her father’s murder - with his help – is back with more mind-bending episodes.
Director Richard Linklater and Netflix’s new film is a mesmerizing visual collage of history, nostalgia, and childhood fantasies, vividly realized in a handmade pastiche of 2D, 3D, and rotoscope animation.
The famed director talks about his return to animation and how he captured his childhood and the country’s optimism surrounding NASA’s quest for the Moon in his new animated feature, debuting today on Netflix.
Philip Gelatt and Morgan Galen King resurrect an older, rotoscoped animation aesthetic, blending it with a blast of new creative storytelling and visual design energy in their epic, bloody, ‘swords and sorcerers’ tale about humanity’s battle between good and evil.
Morgan Galen King, Philip Gelatt and Will Battersby, along with Dan Sarto, will discuss the influence of Ralph Bakshi and ‘Heavy Metal’ on the making of their epic 2D animated fantasy; also, a look at rotoscoping’s history, why it was used for this project and challenges the creators faced in producing an indie film.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
The leading VFX studio delivers 552 visual effects shots on Oscar-winning director Chloé Zhao’s MCU Phase 4 adventure, including the 3rd act beach fight scenes and planet-sized Celestial Tiamut.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive board sequence, vehicle designs, environment design-to-final sequences, and final sequence images from the all-new, action-packed, martini-in-hand Season 12 of Adam Reed and FXX’s hit animated comedy series.
VFX supervisor Nico Del Giudice walks through the studio’s background replacements and greening, as well as surgical gore replacement work, on the Peacock crime drama, based on the podcast of the same name, inspired by the true story of Dr. Christopher Duntsch and his reign of deadly surgical malpractice.
To celebrate the legendary Ella Fitzgerald’s 104th birthday, director Wendy Cong Zhao and Verve Records have produced a whimsical 2D music video that captures the magic of the singer and Louis Armstrong’s classic recording.
Award-winning visual effects company creates a mysterious alien ship, its crash wreckage, and a dimensional window, all obviously engineered by beings not of this world, for the new sci-fi mystery series.
Bollywood stars Allu Arjun, Varun Dhawan, and Alia Bhatt share top billing with some animated toy-like miniatures in new series of light-hearted commercials out of &Walsh.
To capture the lyrics’ dark gravity, artist Baptiste Leroux used hand-drawn frames in TV Paint for a textured, stop-motion look, in his short fan film for Universal Music Group’s °1824 division.
Directors Philip Gelatt and Morgan Galen King’s raucous new rotoscoped fantasy epic takes us back to the days when animated tales of swords and sorcerers didn’t always have fairy tale endings.
Years in the making, Philip Gelatt and Morgan Galen King’s hand-rotoscoped film is set in a fantasy land ripe with magic and intrigue, where a dark force is unleashed sending mankind into an age of ruin; film stars Lucy Lawless, Patton Oswalt, and Richard Grant, and has its world premiere March 18 at SXSW.
After expanding their existing remote production capabilities in the face of COVID-19, the Cambridge-based VFX studio delivers 500 shots on the futuristic sci-fi anthology series.
Studio delivers over 200 shots on the latest entry in the ‘Welcome to the Blumhouse’ psychological thriller film anthology; dark story centers on an amnesiac desperate to regain his memory.
UK-based independent rotoscoper Flora Martyr shares her process to create pristine rotoscope animations.
