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Tagged With: Rotoscoping

Is Reality Elastic? ANIMATIONWorld

The Unreal Reality of ‘Undone’

Co-creators Kate Purdy and Raphael Bob-Waksberg talk about the long-awaited second season of their mind-bending Prime Video series, including how they distill life’s mysteries into the narrative, and production lessons learned on ‘BoJack Horseman.’

Is Reality Elastic? ANIMATIONWorld

‘Undone’s Wild Ride Between Time, Space, and Reality Returns for Season 2

Co-creators Kate Purdy and Raphael Bob-Waksburg’s groundbreaking, rotoscope animated drama, about a young woman trying to harness her newfound time traveling skills and unravel her father’s murder - with his help – is back with more mind-bending episodes.

Look to the Stars ANIMATIONWorld

‘Apollo 10 ½’: An Animated Celebration of Imagination and Creativity

Director Richard Linklater and Netflix’s new film is a mesmerizing visual collage of history, nostalgia, and childhood fantasies, vividly realized in a handmade pastiche of 2D, 3D, and rotoscope animation.

Look to the Stars ANIMATIONWorld

The Sky’s Not the Limit in Richard Linklater’s ‘Apollo 10½: A Space Age Childhood’

The famed director talks about his return to animation and how he captured his childhood and the country’s optimism surrounding NASA’s quest for the Moon in his new animated feature, debuting today on Netflix.

Bakshi Would be Proud! ANIMATIONWorld

‘The Spine of Night’: Redefining Fantasy and Animated Filmmaking

Philip Gelatt and Morgan Galen King resurrect an older, rotoscoped animation aesthetic, blending it with a blast of new creative storytelling and visual design energy in their epic, bloody, ‘swords and sorcerers’ tale about humanity’s battle between good and evil.

Talking Bakshi and Heavy Metal Headline News

Join AWN and ‘The Spine of Night’ Creators Live Q&A January 19

Morgan Galen King, Philip Gelatt and Will Battersby, along with Dan Sarto, will discuss the influence of Ralph Bakshi and ‘Heavy Metal’ on the making of their epic 2D animated fantasy; also, a look at rotoscoping’s history, why it was used for this project and challenges the creators faced in producing an indie film.

We Want More Marvel! VFXWorld

TRIXTER Goes Full Morris on ‘Shang-Chi and the Legend of the Ten Rings’

The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.

Feature Film VFX VFXWorld

It’s No Day at the Beach for Weta Digital on ‘Eternals’

By Dan Sarto | Friday, December 17, 2021 at 10:07am

The leading VFX studio delivers 552 visual effects shots on Oscar-winning director Chloé Zhao’s MCU Phase 4 adventure, including the 3rd act beach fight scenes and planet-sized Celestial Tiamut.

TV VFX VFXWorld

Molecule VFX Creates Texas Greenery from New Mexico Desert in ‘Dr. Death’

By Dan Sarto | Thursday, August 19, 2021 at 5:08pm

VFX supervisor Nico Del Giudice walks through the studio’s background replacements and greening, as well as surgical gore replacement work, on the Peacock crime drama, based on the podcast of the same name, inspired by the true story of Dr. Christopher Duntsch and his reign of deadly surgical malpractice.

Music Videos Headline News

Ella and Louis’ Famed ‘Cheek to Cheek’ Duet Gets Animated

To celebrate the legendary Ella Fitzgerald’s 104th birthday, director Wendy Cong Zhao and Verve Records have produced a whimsical 2D music video that captures the magic of the singer and Louis Armstrong’s classic recording.

Animation as a Moving Painting ANIMATIONWorld

Animating Soft-Spoken Vocals in The White Buffalo’s ‘Sycamore’ Music Video

By Dan Sarto | Friday, April 9, 2021 at 11:21am

To capture the lyrics’ dark gravity, artist Baptiste Leroux used hand-drawn frames in TV Paint for a textured, stop-motion look, in his short fan film for Universal Music Group’s °1824 division.

Bakshi Would be Proud! ANIMATIONWorld

The Spirit of Bakshi Returns in ‘The Spine of Night’

By Dan Sarto | Wednesday, March 24, 2021 at 3:28pm

Directors Philip Gelatt and Morgan Galen King’s raucous new rotoscoped fantasy epic takes us back to the days when animated tales of swords and sorcerers didn’t always have fairy tale endings.

Fantasy Horror Animation Oh My! Headline News

WATCH: Trailer for ‘The Spine of Night’ Animated Fantasy Horror Feature

By Dan Sarto | Thursday, March 11, 2021 at 1:51pm

Years in the making, Philip Gelatt and Morgan Galen King’s hand-rotoscoped film is set in a fantasy land ripe with magic and intrigue, where a dark force is unleashed sending mankind into an age of ruin; film stars Lucy Lawless, Patton Oswalt, and Richard Grant, and has its world premiere March 18 at SXSW.

TV VFX Headline News

Vine FX is the Perfect Match for AMC’s ‘Soulmates’

By Dan Sarto | Friday, March 5, 2021 at 4:15pm

After expanding their existing remote production capabilities in the face of COVID-19, the Cambridge-based VFX studio delivers 500 shots on the futuristic sci-fi anthology series.

VFX breakdowns Headline News

VFX Legion Brings on the Nightmares in Amazon Prime’s ‘Black Box’

By Dan Sarto | Thursday, January 21, 2021 at 11:18am

Studio delivers over 200 shots on the latest entry in the ‘Welcome to the Blumhouse’ psychological thriller film anthology; dark story centers on an amnesiac desperate to regain his memory.

Technology Headline News

Secret Weapons Announces EbSynth Rotoscopy Automation Tool Beta

By Dan Sarto | Tuesday, October 27, 2020 at 2:34pm

Prague tech company’s new tool creates all in-between frames in any artistic style – oil paint, watercolor, pastel, and others.

Music Video ANIMATIONWorld

George Moir Drops Quirky 80s-Styled ‘Big Boy Cruising’ Animated Music Video

By Dan Sarto | Friday, June 5, 2020 at 9:52am

Artist releases new single and meticulously crafted short, an odd and amusing blend of miniatures, collage, and live-action inspired by Fischer Price toys and Fireman Sam.

TV VFX VFXWorld

Nviz’s Gravity Flip Makes Yoga Much More Exhilarating in HBO’s ‘Avenue 5’

By Dan Sarto | Tuesday, May 26, 2020 at 1:51pm

VFX studio handles previs, visual effects, postvis, and graphics production for the inaugural season of Armando Iannucci’s space tourism comedy

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