Top honors went go ‘BusLine35A,’ directed by Elena Felici, winner of the Grand Prize, with special jury awards going to ‘Canary’ and ‘Code Rose;’ save the date for VIEW Conference 2023, October 15-20 – see you in Turino!
The DC Comic adventure starring Dwayne Johnson follows superhero Black Adam as he unleashes justice on the modern world.
It took P-H Dallaire and Benoit Therriault a decade to find the right partner – Rodeo FX – to produce their 3DCG animated short about a young boy and a chipper little bird who work in a dank, dark coal mine.
Get ready for Kang!!! The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
Led by VFX supervisor James HattSmith, the studio delivers 360 shots filled with a wide range of expansive visuals on the Netflix dark fantasy that follows the journey of Morpheus, the King of Dreams, captured and held prisoner for over a century, who struggles to fix the chaos his absence has caused.
The studio’s Canada-based VFX supervisor roster expands with former Rodeo FX supe; this follows the integration of Method Studios’ team, which recently added 6 VFX supervisors across the company’s Montreal and Vancouver locations.
Streamer releases 2-part episode this morning that includes animated segment, ‘A Dream of a Thousand Cats,’ directed by ‘Undone’s Hisko Hulsing and featuring the voice talent of David Tennant, James McAvoy, Sandra Oh, and Michael Sheen.
The prolific, award-winning creator and author shares footage and other reveals from his upcoming supernatural thriller, set to hit Netflix on August 5.
If the world is indeed turning upside down, viewers best be prepared; brush up on Seasons 1-3, because all new episodes are coming this Friday, May 27 and you need to be ready!
The 2-day inaugural event for VFX and animation professionals will feature panels, discussions and presentations of the latest technology; tickets are now on sale.
Former BOT VFX exec will lead studio’s creative, production, and sales teams while setting strategic direction; plans include increasing company profile and recruiting high-level creative and production talent.
Written by noted journalist Barbara Robertson, the paper visits the origins of today’s open source technology in modern filmmaking beginning with cutting edge digital visual effects and animation in the 1990s followed in the early 2000s with the release of ILM’s OpenEXR and Sony Pictures Imageworks’ OpenColorIO.
Escape Studio will hold the event’s 10th edition both online and in person, featuring talks, presentations, and career advice aimed at students, emerging talent, and industry professionals; the festival runs March 8-10.
New footage hints at faithfully adapted visuals and a remixed and reimagined narrative.
Industry veteran joins studio after 18-years at ILM; will be tasked with developing and implementing new cutting-edge workflows and technologies.
A team of visual effects houses, led by DNEG, created 4,000 shots, complete with new worlds, the mysterious Vault artifact, and the enormous Invictus ship, in David Goyer’s expansive and enthralling new series, based on the famed author’s seminal sci-fi book series, now streaming.
For Oscar-winning VFX supervisor Paul Lambert and SFX supervisor Gerd Nefzer, the seamless blending of live-action and CG on Denis Villeneuve’s stunning, epic adaptation of Frank Herbert’s seminal sci-fi tome grounded the film in a believable reality, fully immersing audiences in Paul Atreides’ hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet.
This summer’s hit comedy adventure stars Dwayne Johnson and Emily Blunt in a thrilling journey through the Amazon to find an ancient tree said to cure illness and injury; based on Disneyland’s ‘Jungle Cruise’ ride, the film hits 4K Ultra HD, Blu-ray and DVD on November 16.
Taking place August 10, Autodesk’s SIGGRAPH 2021 Vision Series includes six sessions with industry leaders who are pushing the boundaries to create new possibilities for film and TV digital artistry; programs include ‘Reimagining VFX Production in the Cloud,’ and ‘Marvel Studios: Adapting to Our New (Virtual) Normal.’
Denis Villeneuve’s adaptation of Frank Herbert’s seminal sci-fi tome follows Paul Atreides hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet; film hits theaters and HBO Max on October 22.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
Coming July 30, the epic adventure down the Amazon, inspired by the Disneyland ride, also stars Emily Blunt, with VFX by ILM, DNEG, Weta Digital, Rising Sun Pictures, Rodeo FX, and UPP; see the trailer and Johnson announce his role in the film.
Multi-faceted VFX artist brings 15+ years’ experience to lead creative studio’s New York episodic team.
The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.
