Netflix Greenlights ‘The Witcher’ Season 5, Kicks Off Season 4 Production
Streamer gives a go to the fifth and final chapter of the popular fantasy drama that chronicles the story of monster hunter Geralt of Rivia.
Streamer gives a go to the fifth and final chapter of the popular fantasy drama that chronicles the story of monster hunter Geralt of Rivia.
The parent company of VFX studios FuseFX, FOLKS, Rising Sun Pictures, and El Ranchito brings onboard the former Rodeo FX VP of Creative Operations to promote cross-brand integration, streamline processes, enhance collaboration between teams, and optimize global operations.
Christine Boylan and Jabbar Raisani will now executive producer the Netflix series through its second and third seasons, while Kim will remain as an executive producer.
VFX supervisor, director, and executive producer Jabbar Raisani led a monumental effort to deliver almost 3,400 visual effects shots on the live-action adaptation of Nickelodeon’s famed animated series, recreating the magical world of benders, who control the natural elements of fire, water, wind, and earth, and the mediator known as the Avatar.
Based on Nickelodeon’s animated series, the live-action adaptation has rapidly hit the top in global viewership, triggering a 2-season renewal less than a month after its February streaming debut.
EP Bill Bost will now oversee Season 3 photography, while Goyer will retain the ‘showrunner’ title and continue to write for the hit series, which was renewed by Apple TV+ for a third season last year.
VFX studio crafts fully immersive CG environments, working its magic on planet Trantor, its rings, and the season’s final epic battle, elevating the storytelling and visual impact across all 10 episodes of the popular Apple TV+ series.
In ‘Bringing the World to Life,’ the cast and creators of the live-action adaptation take us behind the scenes to explain how they created the show, which hits the streamer February 22.
The live-action reimagining of the beloved Nickelodeon animated series, which follows Aang, the young Avatar, as he learns to master the four elements, stars Gordon Cormier, Kiawentiio, and Ian Ousely, and hits the streamer February 22.
VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.
ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.
The series, which follows Pablo Schreiber’s Master Chief as he leads his team of elite Spartans against the alien threat known as the Covenant, returns to the streamer on February 8.
The hit series, based on Isaac Asimov’s famed Hugo Award-winning sci-fi trilogy, will continue to riff on Dr. Hari Seldon’s mathematical predictions; Season 1 and 2 are streaming now.
This highly anticipated 9-episode limited series, starring Austin Butler and Barry Keoghan, follows the brave men of the 100th Bomb Group – the Bloody Hundreth – as they conduct perilous bombing raids over Nazi Germany, grappling with frigid conditions, lack of oxygen, and the sheer terror of war at 25,000 feet; show debuts January 26, 2024.
Watch the VFX breakdown reels showcasing how the studio delivered 236 shots on 20 sequences, including the creation of the Jackapace and the Pit Monster.
The studio contributed 259 shots across multiple sequences, including breathing life into iconic characters Sebastian, Flounder, and Scuttle – staying faithful to their original characters while integrating actual animal behavior.
Witness the rise of power in the prequel to the ‘The Hunger Games’ trilogy, set 64 years before Katniss Everdeen volunteered as tribute, and decades before Coriolanus Snow became the tyrannical President of Panem, in theaters November 17.
New Unreal Engine 5 plugin leverages existing render setups and scalability so cloud-based resources can accelerate final-pixel outputs; also updates DCC apps, including Adobe After Effects 2023, Autodesk Maya 2024, Autodesk 3ds Max 2024, Autodesk VRED 2023 and Maxon Cinema 4D 2023.
Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure.
In an effort to expand its European presence, the VFX studio opens a facility in the 11th arrondissement, promising a wide range of services to match its North American offerings.
Henry Cavill’s final season on the hit fantasy series streams this summer on Netflix, with Volume 1 launching June 29 and Volume 2 launching July 27.
Visual effects supervisor John Moffatt reveals some of ‘The Witcher’ prequel’s magical sequences, roughly 1,000 shots that include portals, creatures, and the startling human transformation into the original monster hunting Witcher prototype.
The visual effects studio's team, led by VFX supervisor João Sita and animation supervisor Fernando Herrera, delivered 200 shots that featured a bed that walks and floats, an animated stuffie named Pig, and a massive flying Canadian goose, on the fantasy adventure now streaming on Netflix.
In the fourth installment of the shoot ‘em up in volume franchise, Wick uncovers a path to defeating The High Table that turns old friends into foes, hitting theaters March 24.
Top honors went go ‘BusLine35A,’ directed by Elena Felici, winner of the Grand Prize, with special jury awards going to ‘Canary’ and ‘Code Rose;’ save the date for VIEW Conference 2023, October 15-20 – see you in Turino!