The visual effects boutique delivers 225+ shots for the psychological thriller, adding to the tale’s horror with invisible effects, which included a 3D animated spider, digital limb replacements, and CG environments and set extensions.
Animators Stephen Belford, Anna Harestad, Heather Little, and Tawny Therrien discuss the challenges they overcame creating a stop-motion animated film during the pandemic while working remotely.
New categories for the event’s 43rd edition include Hybrid Events, Workplace Culture, and Sustainability; early entry deadline is December 10; winners will be announced in May 2022.
The upcoming conference program, in partnership with the Academy Software Foundation, highlights cross-industry efforts to develop shared technology for VFX, animation and sound; additional confirmed speakers include Pixar’s technical director Markus Kranzler and Inda Barnardo, director of ‘Cat and Moth.’
VFX team provided creatures, CG crowds, FX simulations, environment extensions, and seamless digital shot stitching for the miniseries; 100 artists delivered shots while working and collaborating from home during the COVID-19 lockdown.
With Nickelodeon’s help and support, creative team quickly shifted to a remote workflow, successfully working on various aspects of animation resulting in quality artwork and timely delivery of brand-new animated series.
VFX supervisor Ivor Middleton details the production of CG creatures, floating people, and a serpentine British island causeway in the Sky / HBO psychological thriller.
Due to COVID-19, producers on the new weekly talk show turned to CBS VFX for a fast, innovative solution to seamlessly and safely integrate L.A. guests into the N.Y.-based production.
Produced during the COVID-19 pandemic, creative studio The-Artery uses remotely produced motion capture to show the anonymous band emerge from stasis and blast onstage for an all CG neon-flooded performance.
ATTN:’s Taye Shuayb discusses the rigors of producing and delivering episodes of the adult animated series every weekday while working remotely and safely during the pandemic.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
Director Hans-Christoph Schultheiss crafts full CG face-off pitting eSports champions FunPlusX against a formidable array of opponents.
