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Tagged With: Redshift

Motion Graphics Headline News

Studio C Taps Maxon Tools for ‘The Matrix: Resurrections’

The motion graphics studio used Cinema 4D, Redshift, and Red Giant to create a host of screen graphics including medical scans, 3D maps, and other futuristic visual elements in the iconic film franchise’s latest outing.

The Web Slinger Returns! VFXWorld

Digital Domain Helps ‘Bridge’ the Multiverse in ‘Spider-Man: No Way Home’

VFX supervisor Scott Edelstein, nominated for an Oscar alongside Kelly Port, Chris Waegner, and Daniel Sudick, led his team in delivering more than 520 shots and 600 unique assets, including recreating 2.5 square miles of New York City for the dramatic Doc Ock – Spidey bridge fight, in Marvel’s smash action-adventure hit.

We Want More Marvel! VFXWorld

Digital Domain Pulls Off Great ‘Fortress’ Escape in ‘Shang-Chi and the Legend of the Ten Rings’

Leading VFX studio delivers almost 250 shots, including digital doubles, CG cars, and an unforgettable race to elude capture in Marvel Studios’ thrilling new MCU adventure.

Technology Headline News

Key BOXX Platforms Receive NVIDIA-Certified System Status

By Dan Sarto | Tuesday, September 28, 2021 at 8:05am

Leading tech company’s RAXX P4G data center platform and APEXX S3, APEXX Denali, APEXX T3 & T4, and APEXX W4L desktop workstations have been officially validated, having all successfully completed NVIDIA engineer review after passing a rigorous set of functional and performance tests.

Technology Headline News

Maxon’s Redshift Now Subscription-Based

Distribution shift for GPU rendering software will keep customers up to date, ensuring functionality with third-party hardware and software solutions; customers can expand licenses at new initial subscription pricing.

Breaking Apart is Hard to Do! VFXWorld

Digital Domain Helps Crash ‘Black Widow’s Flying Red Room Assassin Party

Oscar-winning VFX studio puts on a masterclass in destruction as they build, and then demolish, the enormous airborne training fortress, with heroes and villains all dodging flaming wreckage as they plummet to earth, in the finale of Marvel Studios’ latest MCU thriller.

Technology Headline News

Maxon Releases Universe 4.0

Now available, the latest version includes new stylize tools Electrify, Texturize Motion, and Analog, Support for Metal, and 200+ new presets for Array Gun and Typographic; other Maxon updates include Redshift with support for OpenColorO, streamlined new Maxon App, and fixes and optimization of FX Suite and Cinema 4D S24.

Working to Reduce Gun Violence ANIMATIONWorld

‘Blossom’ Depicts Young Girl’s Struggle to Cope with Gun Violence

By Dan Sarto | Friday, June 4, 2021 at 1:39pm

Oscar-winning ‘Hair Love’ production house Lion Forge Animation teams with Everytown for Gun Safety Support Fund on poignant animated short in support of the 7th annual Wear Orange campaign and National Gun Violence Awareness Day.

game cinematics Headline News

Bad Guys Have Their Fun in ‘Evil Genius 2: Wold Domination’ Trailer

By Dan Sarto | Friday, March 26, 2021 at 9:33am

Haz Dulull and He Sun deliver an exciting game cinematic spot for Rebellion’s latest release, produced with a USD-based Houdini pipeline, Unreal Engine, and Redshift. 

Events Headline News

Maxon Reveals 2021 Event Lineup – First ‘3D & Motion Design Show’ Set for March 17

This year’s first free showcase will include feature presentations from expert motion graphic and VFX artists; all events will be livestreamed on 3D & Motion Design Show website and the Maxon YouTube channel.

Commercials Headline News

JAMM Scores a Touchdown with ‘The Neighborhood’ Spot

DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.

Business Headline News

Maxon Acquires Distributor TMS Corp, Establishes Official Japanese Office

Deal cements company’s commitment to the local market, providing users with additional resources and creative tools.

Technology Headline News

Industrial Brothers Finishes ‘Remy & Boo’ Episodes in the Cloud

Having already turned to Amazon Web Services, the studio easily moved to full remote production in the cloud this March; company quickly scaled artistic and computing capacity without disruption to delivery schedule.

Commercials Headline News

The-Artery Creates ‘Star Dreaming’ Holiday Campaign

Creative design company and the David Yurman Holiday Express train take viewers on a sparkling adventure through stars, a meteorite-like mountain, and a miniature city.

Technology Headline News

‘Maxon One’ Student and Faculty Subscription Bundle Now Available Through OnTheHub

Qualified academics get streamlined access to industry-leading, easy-to-use, professional tools for 3D animation, GPU rendering, VFX, motion design, and compositing, for a nominal processing fee.

Music Videos Headline News

The Living Tombstone’s Blistering ‘Chosen’ CG Music Video

By Dan Sarto | Monday, August 31, 2020 at 1:08pm

Produced during the COVID-19 pandemic, creative studio The-Artery uses remotely produced motion capture to show the anonymous band emerge from stasis and blast onstage for an all CG neon-flooded performance.

animated short films Headline News

WATCH: HEROmation's ‘The Wrong Rock’ Animated Short

By Dan Sarto | Monday, December 16, 2019 at 4:46pm

Michael Cawood’s just released award-winning story of equality, told through the adventures of a mushroom, was an international collaboration of hundreds of artists using the Artella online virtual platform.

animated short films Headline News

SEE IT HERE: Ishan Shukla’s Dystopian Short, ‘Schirkoa’ Now Online

By Dan Sarto | Thursday, October 10, 2019 at 2:21pm

Award-winning fourteen-minute CG-animated film, now being developed as a feature film, was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.

Tendril Headline News

Tendril Optimizes with Thinkbox’s Deadline and Redshift On-Demand

To create the five-minute animated “Coming to America“ sequence for STARZ’s ‘American Gods’ episode five, animation and design studio Tendril transitioned to a GPU pipeline ahead of the project, leveraging Thinkbox’s Deadline for compute management and tapping Redshift with per-minute licensing via the Thinkbox Marketplace.

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