Qualified academics get streamlined access to industry-leading, easy-to-use, professional tools for 3D animation, GPU rendering, VFX, motion design, and compositing, for a nominal processing fee.
Produced during the COVID-19 pandemic, creative studio The-Artery uses remotely produced motion capture to show the anonymous band emerge from stasis and blast onstage for an all CG neon-flooded performance.
Powered by a new end-to-end multi-threaded architecture, update is designed to deliver an easy and logical workflow to artists.
Michael Cawood’s just released award-winning story of equality, told through the adventures of a mushroom, was an international collaboration of hundreds of artists using the Artella online virtual platform.
Award-winning fourteen-minute CG-animated film, now being developed as a feature film, was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.
Developer of industry leading animation software Cinema 4D acquires powerful and flexible GPU-accelerated renderer.
First project produced as part of Guru’s new short film program is directed by Samuel W. Bradley with a score by composer Jim Guthrie.
To create the five-minute animated “Coming to America“ sequence for STARZ’s ‘American Gods’ episode five, animation and design studio Tendril transitioned to a GPU pipeline ahead of the project, leveraging Thinkbox’s Deadline for compute management and tapping Redshift with per-minute licensing via the Thinkbox Marketplace.
Working with MullenLowe London, the Outpost VFX team developed the characters, storyboarded the project, shot live-action sequences featuring Unilever’s product, and also implemented cross functionality between Redshift and Golaem Crowd, for the 30-second CG commercial.
Touching 3D Short launches Dairy Farmers of Canada ad campaign.
New plugin brings the lightning-fast speed of GPU-accelerated render engine Redshift to SideFX’s powerful all-in-one 3D application combining modeling, animation, rigging and compositing.
BAFTA-winning studio turns around festive animation in just four weeks using GPU-accelerated renderer Redshift.
Animation Studio employs GPU-accelerated biased renderer Redshift for near real-time lighting on new CG-animated TV special with a stop-motion aesthetic.
Fourteen-minute CG-animated short film that won its Oscar-qualifying award at the Los Angeles Shorts Fest was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.
Additional third-party applications available on demand via Thinkbox include The Foundry’s NUKE and KATANA, Chaos Group V-Ray, NVIDIA Iray and Mental Ray, Redshift, and Peregrine Labs’ Yeti.
Boutique VFX and animation studio taps Autodesk Maya and GPU-accelerated biased renderer Redshift to complete previs, design and animation for the new Volkswagen spot, ‘Graph.’
Thinkbox’s e-commerce portal now offering on-demand, per-minute licensing for additional third-party applications.
Guru Studio creates a fantastical universe for Netflix original series ‘True & The Rainbow Kingdom’ powered by NVIDIA’s Quadro M6000 GPUs.
London-based visual effects studio creates a slick new video to promote Nike’s Legend 6 boxing boot, tapping Redshift’s GPU-accelerated renderer to deliver high-quality visuals on an efficient timeline.
Creative studio harnesses the power of GPU-accelerated, biased renderer to deliver high-quality visuals at a fraction of the time compared to traditional render solutions.
Multiple award-winning studio uses fully GPU-accelerated, biased renderer Redshift to help create Cadbury “Womb.”
