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Tagged With: Rear Projection

Straddling the Earth and Cosmos VFXWorld

Re-VIEW: ‘Oppenheimer’ – Clarity of the Fractured Lens

Christopher Nolan’s 7-time Oscar-winning biopic invites audiences to share the ‘father of the nuclear bomb’s insight and vision through extraordinary images of exploding stars, spinning atoms, and esoteric phenomena that depict his co-existence between earthly and cosmic realms and begs the question: ‘Is he blessed or cursed?’

Smashingly Good Atom Work VFXWorld

Exploring ‘Oppenheimer’ at the Subatomic Level

Production VFX supervisor Andrew Jackson gets quite ‘particular’ discussing the visual effects in Christopher Nolan’s hit biopic about J. Robert Oppenheimer, his life and work leading The Manhattan Project’s development of the world’s first nuclear bomb.

And the Oscar Goes to…? VFXWorld

Virtual Production Takes Center Stage in ‘The Midnight Sky’

By Dan Sarto | Friday, April 23, 2021 at 6:33am

Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.

VFX Headline News

Territory Studio Transports ‘Mank’ Viewers to LA’s Wilshire Blvd. in 1934

Studio’s creative recreated the iconic street for David Fincher’s new Netflix biopic; archival footage, maps, and old photos, along with new imagery, were integrated to portray the famous boulevard as it was 80 years ago.