Second ‘Aquaman and the Lost Kingdom’ Trailer is Missing Controversial Character
Arthur Curry and Orm team to protect their bloodline and Atlantis from the dastardly Black Manta in the ‘Aquaman’ sequel, hitting theaters December 22.
Tagged With: Proof
First Full-Length Trailer Drops for ‘Aquaman and the Lost Kingdom’
Arthur Curry and Orm flaunt the bromance of the year in the ‘Aquaman’ sequel as the duo team to save Atlantis from the dastardly Black Manta, hitting theaters December 20.
In 3D, Acting, CG, Comics, Films, People, Visual Effects | Headline News, VFXWorld | Geographic Region: All
Proof Shares ‘Chupa’ Previs/Postvis Reel
The leading visualization studio handled extensive previs and postvis, enlisting live Maya sessions with director Jonás Cuarón to develop a key chupacabra kidnap sequence that included the film’s most VFX intense scenes, on a mythological creature and teenage boy’s adventure of a lifetime, now streaming on Netflix.
In 3D, CG, Digital Media, Films, People, Previs, Technology, Visual Effects | VFXWorld | Geographic Region: All
Proof Shares a Biting ‘Renfield’ Visualization Reel
The leading visualization studio did extensive previs, techvis, and postvis for Universal Pictures' horror/comedy starring Nicholas Hoult and Nicolas Cage; sequences included the massacre of goons, Dracula transformations, and the film’s final battle.
In 3D, Acting, CG, Films, People, Post-production, Previs, Technology, Visual Effects | Headline News, VFXWorld | Geographic Region: All
Ron Frankel Celebrates Proof’s 20 Years with Top 15 Visualization Projects
For the company’s 20th anniversary, its founder shares a selection of innovative work his teams have produced, on shows like ‘Wonder Woman,’ ‘1917,’ and ‘The Sandman,’ since opening its doors in 2002.
Designing ‘The Tomorrow War’s Vicious, Deadly Aliens
For VFX supervisor Jamie Price, the ‘White Spikes’ predators eradicating humans in Chris McKay and Amazon Studios’ original sci-fi thriller had to be agile, scary, and above all, lethal.
In 2D, 3D, Art, CG, Digital Media, Films, People, Post-production, Previs, Visual Effects | VFXWorld | Geographic Region: All
Proof’s ‘F9’ Visualization was a Race to the Finish
Studio prevised over 3,000 shots, postvised over 700, and techvised countless others, working 83 straight weeks until the COVID-19 lockdown, then quickly transitioned to a remote pipeline to complete production on Universal and Justin Lin’s ninth ‘Fast & Furious’ franchise action thriller.
In 3D, Business, CG, Digital Media, Films, People, Previs, Technology, Visual Effects | VFXWorld | Geographic Region: All
Creating the Post-Apocalyptic World of Stephen King’s ‘The Stand’
Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.
‘Fast & Furious’ Returns: New ‘F9’ Trailer and Images
The next saga in Vin Diesel’s action-adventure franchise takes the crew on a race across the globe; Justin Lin returns to direct and Grammy-winning Cardi B joins the cast as a woman with a connection to Dom Toretto’s past – in theaters June 25.
In 3D, Acting, Business, CG, Films, People, Visual Effects | Headline News, VFXWorld | Geographic Region: All
Jon Bokenkamp Shines Light on Animated ‘The Blacklist’ Season 7 Finale
During Comic-Con panel, showrunner explains decision on integrating live-action with comic-style toon-shaded animation to finish episode halted due to the novel coronavirus.
In 2D, 3D, CG, People, Post-production, Previs, Television | ANIMATIONWorld, Headline News | Geographic Region: All
How Proof’s Fully Animated Previs Helped Save the ‘The Blacklist’ Season Finale
With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.
GALLERY: 106 Images of DNEG 'Men in Black: International' Concept Art and VFX
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
Doing it Fast ‘And’ Distinctive: The VFX of ‘Men in Black: International’
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
In 3D, Art, CG, Films, People, Previs, Technology, Visual Effects | VFXWorld | Geographic Region: All
Weta Digital Returns for ‘Maze Runner: The Death Cure’
Weta artists apply their craft to move a static car, light a city at night, and create other effects for the final film in the Maze Runner franchise.
PROOF, INC. Launches PRIME VR Division
Noted animation, VFX, digital media and previs executive Christopher Bellaci named head of business development & sales for dedicated Virtual Reality division.
In 3D, Business, CG, Films, People, Short Films, Technology, Virtual Reality, Visual Effects | Headline News, VFXWorld | Geographic Region: North America
‘Pan’ Could Lead to $150M Write-Down for Warner Bros.
Made for $150 million, Joe Wright's big-budget Neverland origins story could lose between $130 million to $150 million for Warner Bros.
Proof Inc. Previs Images from 'Captain America: The Winter Soldier'
In their largest feature film project to date, LA headquartered Proof Inc. spent 14 months prevising the second Captain America film and another eight months handling postvis. They were involved in every major action and visual effects-driven scene including the major third-act finale. Here's a selection of some of the previs images from the film. All images courtesy of Marvel Entertainment.
Monty Granito Talks ‘Captain America: The Winter Solder’ Previs
The Proof Inc. previs supervisor takes us deep inside their biggest previs project to date.
Proof Inc. Bolsters International Presence
Proof bolsters its international presence in Europe and Australia.
