Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Mike Maryniuk talks Blotto 649.
Tagged With: Production
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Rao Heidmets' Inherent Obligations (2005)
New hires bring decades of experience in production, marketing and brand development to Toronto-based studio.
Co-founder of Backup Media Group will oversee production, distribution, merchandising and new media.
Production is underway in Vancouver with top talent being recruited to immediately begin working on the feature.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Dana Sink's Power (2016)
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Christopher Mills discusses his music video for Leonard Cohen, Leaving the Table.
Sue Troyan, Tim Davies and Darcy Parsons team up to deliver creative quality and client trust in the new company.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: David Daniel's classic mindsweeper, Buzz Box (1985)
New pipeline TD and compositor previously served as head of technical pre-sales at data storage solutions provider Pixit Media, designing high-performance storage and network infrastructures for the Media & Entertainment industry.
Motion capture technology specialist for the entertainment, engineering and life sciences industries collaborates with leading developer of virtual reality gloves to allow customers to integrate Manus VR Glove finger tracking into their production pipelines.
Immersive content studio scales rendering to cloud for same-day turnaround on 1,500 Frames of 5K stereo footage for 360-video project.
Reallusion has announced iClone 7 real-time face and body motion capture featuring partnerships with Faceware and Xsens, simplifying mocap with dedicated tools and UI for recording actors in any environment and transforming a single PC into a streamlined and affordable rig for character creation, animation and live face and body mocap; Reallusion will showcase the iClone 7 innovations in Los Angeles at SIGGRAPH, August 1–3 at booth #1219.
The new version of the software offers fluid simulation directly in Cinema 4D, a new Multiphysics solver and other features.
New features include an integrated Shotgun user interface, perpetual license keys, command line access to Microsoft Azure during the beta and Clarisse renderer support.
The new software version is built to give crowd technical directors more under-the-hood access to the crowd simulation engine, and provides custom artificial intelligence, an emit/kill behavior, traffic simulation behavior and improvements to the acclaimed Golaem Layout Tool.
The acquisition accelerates Adobe’s position in the cutting-edge 360-degree film and virtual reality media, allowing native integration of SkyBox plugin functionality in future releases of Premiere Pro and After Effects.
Based out of their Oakland office, Chu will oversee animation company-wide, bringing to bear 20 years of experience animating and supervising, after his most recent role as animation director at ILM.
Malaysian animation studio to develop 2D animated concept from co-creator Gary Pilla into a multi- platform brand covering animated series, mobile games, and toy line merchandise.
Makers of 2D production tools Toon Boom Harmony and Storyboard Pro announce availability of new web-based production tracking and digital asset management tool.
With offices in India, Malaysia and South Africa, new full-service production and postproduction collective led by VFX industry veterans John Hughes and Helena Packer and film/TV/commercial director Kevin Donovan forms in Los Angeles.