The Oscar-winning director discusses his beautiful and charming animated musical tale about a smart young girl’s determination to prove the existence of a legendary Moon Goddess, out today on Netflix
Tagged With: Production Design
Upcoming conference, running October 18-23 both in Turin, Italy and online, will stream all sessions to a global audience; presentations by industry experts will live stream and be available for subsequent viewing through December 31.
This year’s animated and VFX-driven shows represent continuing excellence in animation and VFX production for TV, much done remotely from home in the face of the COVID-19 pandemic.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
‘Big Mouth,’ ‘Bob’s Burgers,’ ‘BoJack Horseman,’ ‘Rick and Morty’ and ‘The Simpsons’ receive nominations for Outstanding Animated Program.
Sign-ups still open for upcoming masterclasses, featuring both Spanish and international industry experts; registration deadline is Friday, May 15.
‘Trolls World Tour’ production designer Kendal Cronkhite Shaindlin, joined by the film’s producer Gina Shay as moderator, will discuss her career path and share insights of a 25-year journey through the animation industry.
For the writer/director of Netflix’s charming new animated feature, filmmaking decisions often come down to where you hold your tongue when you swing the hammer.
DreamWorks Animation shares never-before posted online video revealing some of the digital magic behind a number of the Oscar-nominated film’s signature shots.
The writer-director of DreamWorks Animation’s Oscar-nominated ‘How to Train Your Dragon: The Hidden World’ reflects on his long and loving journey creating the epic animated trilogy.
Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.
Hilarious animated feature about Charles Addams’s iconic and subversively comedic family gets its home entertainment release on multiple platforms including On Demand.
Charles Addams’s iconic, subversively comedic family is back in MGM’s new animated feature, from the creative duo that brought us the raunchy, R-Rated romp, ‘Sausage Party.’
Prolific production designer and Oscar-winning director of animated short, ‘For the Birds,’ to be honored at upcoming October 21-25 conference.
HBO garners multiple wins including Outstanding Special Visual Effects, Special Visual Effects in a Supporting Role, Main Title Design and Production Design.
For first-time VFX supervisor Stirling Duguid, animating water, lava, pig snot and millions of feathers was only part of the fun producing the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds.’
Production designer Pete Oswald discusses the challenge of creating Zeta, an engaging new villain, and her sub-zero Eagle Island lair in Sony Pictures Animation and Rovio’s ‘Angry Birds’ animated comedy sequel.
‘Big Mouth,’ ‘Bob’s Burgers,’ ‘BoJack Horseman,’ ‘Adventure Time’ and ‘The Simpsons’ receive nominations for Outstanding Animated Program.
Submissions now being accepted through July 7 for inaugural awards, celebrating the role of concept artists, being presented at upcoming LightBox Expo in Pasadena.
Legendary artist shares concept design insights, George Lucas’ impact on his evolution as a designer, working through production design challenges and how he handles different opinions from strong creative voices on a film.
The biggest night in television will air live (8-11pm ET / 5-8pm PT) at the Microsoft Theatre in Downtown Los Angeles.
‘First Man’ wins Oscar for Best Visual Effects; ‘Black Panther’ wins three awards including Costume Design, Production Design & Original Score.
‘How To Train Your Dragon’ series writer and director Dean DeBlois reflects on his ten years with the beloved franchise, detailing how new technologies helped bring ‘The Hidden World’ to the screen.