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Tagged With: Pre-Visualization

TV VFX Headline News

WATCH: Pixomondo’s ‘Raised by Wolves’ Season 1 VFX Breakdown Reel

By Dan Sarto | Tuesday, January 26, 2021 at 4:03pm

Studio’s VFX supervisors Ed Hawkins, Max Riess, and Mark Spindler highlight their teams’ work delivering around 520 shots on HBO Max and Ridley Scott’s hit sci-fi thriller, which has been renewed for Season 2.

VFX breakdowns Headline News

VFX Legion Brings on the Nightmares in Amazon Prime’s ‘Black Box’

By Dan Sarto | Thursday, January 21, 2021 at 11:18am

Studio delivers over 200 shots on the latest entry in the ‘Welcome to the Blumhouse’ psychological thriller film anthology; dark story centers on an amnesiac desperate to regain his memory.

Feature Film VFX VFXWorld

Weta Creates a Cute and Crazy Winter Wonderland in ‘The Christmas Chronicles 2’

By Dan Sarto | Thursday, December 17, 2020 at 4:18pm

The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.

VFX Headline News

Territory Studio Transports ‘Mank’ Viewers to LA’s Wilshire Blvd. in 1934

Studio’s creative recreated the iconic street for David Fincher’s new Netflix biopic; archival footage, maps, and old photos, along with new imagery, were integrated to portray the famous boulevard as it was 80 years ago.

Bold The Child Is Headline News

Cool New Baby Yoda Short Made by Just One Person in 15 Days

By Dan Sarto | Friday, December 11, 2020 at 12:27pm

Check it out!; Kite and Lightening’s Cory Strassburger produces high-quality seven-minute CG short, ‘The Child Strikes Back,’ using an iPhone, free Unreal Engine, and off-the-shelf tools and assets.

Technology Headline News

Epic Games Releases Unreal Engine 4.26

Update includes new creative tools to for more convincing characters and real-time environments; users will also see usability and performance improvements in the Collaborative Viewer template enabling multi-user design reviews on VR/AR/Desktop enhancing the collaborative design review process.

Visualization Services Headline News

OPSIS Delivers Post Visualization and Final VFX for Michael Bay’s ‘Songbird’

Visualization services company brings innovative postvis and visual effects production pipeline support to Adam Mason’s new dystopian romance thriller, shot this past summer in Los Angeles during the COVID-19 lockdown.

Commercials Headline News

MPC Brings Sporting Goods Items to Life in Dick’s Commercial

By Dan Sarto | Monday, November 9, 2020 at 2:07pm

Studio once again teams up with Anomaly and Pacific Rim Films’ Shawn Levy to bring back animated characters for a DICK’S Sporting Goods adventure.

Technology Headline News

Innovative Virtual Production Helps The Third Floor Deliver Ambitious ‘The Mandalorian’ Visuals

By Dan Sarto | Monday, November 2, 2020 at 2:23pm

With Disney+’s long-awaited October 30th Season 2 premiere of Lucasfilm’s Emmy Award-winning ‘Star Wars’ series, Lucasfilm and ILM again team with the leading visualization company to create cinematic quality visuals on a tight TV series schedule; watch the phenomenal previs showreel!

Awards Headline News

‘The Mandalorian’ and ‘Vikings’ Take Home VFX Emmys

The Disney+ and History series took home the awards for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role on the third night of the 2020 Creative Arts Emmy Awards.

virtual production Headline News

ILM Expands Virtual Production Services, Global Trainee Program

StageCraft expansion plans include additional LED volume installations in LA, London and Australia, along with new Jedi Academy program aimed at underrepresented VFX talent.

I've Got the Spins! Headline News

WATCH: Pixomondo’s ‘Euphoria’ Rotating Hallway VFX Breakdown Reel

By Dan Sarto | Friday, September 4, 2020 at 5:27pm

Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.

Animated TV Series ANIMATIONWorld

From Feature Previs to an Animated Sitcom: Nina Helene Hirten Talks 'Duncanville'

One of the editors on FOX’s hit animated comedy discusses her unlikely landing of the coveted job, and how as a wife and working mom she relates to the show’s family-centered humor.

TV Animation Headline News

Jon Bokenkamp Shines Light on Animated ‘The Blacklist’ Season 7 Finale

During Comic-Con panel, showrunner explains decision on integrating live-action with comic-style toon-shaded animation to finish episode halted due to the novel coronavirus.

Commercials Headline News

Framestore Puts Pedal to the Metal for LEGO ‘Drive What You Love’ Spot

Oscar-winning creative studio builds full-throttle VFX for The LEGO Agency’s latest commercial, where a high-speed race brings imagination to life.

TV VFX VFXWorld

Nviz’s Gravity Flip Makes Yoga Much More Exhilarating in HBO’s ‘Avenue 5’

By Dan Sarto | Tuesday, May 26, 2020 at 1:51pm

VFX studio handles previs, visual effects, postvis, and graphics production for the inaugural season of Armando Iannucci’s space tourism comedy

TV Animation ANIMATIONWorld

How Proof’s Fully Animated Previs Helped Save the ‘The Blacklist’ Season Finale

By Dan Sarto | Thursday, May 21, 2020 at 1:57pm

With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.

Feature Film VFX Headline News

WATCH: Pixomondo Previs and VFX Breakdown Reels From ‘Midway’

By Dan Sarto | Tuesday, March 10, 2020 at 9:08am

Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.

Feature Film VFX VFXWorld

‘The Irishman:’ Solving an Age-Old Problem

VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.

Awards Headline News

WATCH: Pixomondo Showcases Previs and VFX Work on Jason Momoa and Apple TV’s ‘See’

By Dan Sarto | Monday, January 20, 2020 at 5:42pm

VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.

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