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Tagged With: Pre-Visualization

Awards Headline News

‘The Mandalorian’ and ‘Vikings’ Take Home VFX Emmys

The Disney+ and History series took home the awards for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role on the third night of the 2020 Creative Arts Emmy Awards.

virtual production Headline News

ILM Expands Virtual Production Services, Global Trainee Program

StageCraft expansion plans include additional LED volume installations in LA, London and Australia, along with new Jedi Academy program aimed at underrepresented VFX talent.

I've Got the Spins! Headline News

WATCH: Pixomondo’s ‘Euphoria’ Rotating Hallway VFX Breakdown Reel

By Dan Sarto | Friday, September 4, 2020 at 5:27pm

Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.

Animated TV Series ANIMATIONWorld

From Feature Previs to an Animated Sitcom: Nina Helene Hirten Talks 'Duncanville'

One of the editors on FOX’s hit animated comedy discusses her unlikely landing of the coveted job, and how as a wife and working mom she relates to the show’s family-centered humor.

TV Animation Headline News

Jon Bokenkamp Shines Light on Animated ‘The Blacklist’ Season 7 Finale

During Comic-Con panel, showrunner explains decision on integrating live-action with comic-style toon-shaded animation to finish episode halted due to the novel coronavirus.

Commercials Headline News

Framestore Puts Pedal to the Metal for LEGO ‘Drive What You Love’ Spot

Oscar-winning creative studio builds full-throttle VFX for The LEGO Agency’s latest commercial, where a high-speed race brings imagination to life.

TV VFX VFXWorld

Nviz’s Gravity Flip Makes Yoga Much More Exhilarating in HBO’s ‘Avenue 5’

By Dan Sarto | Tuesday, May 26, 2020 at 1:51pm

VFX studio handles previs, visual effects, postvis, and graphics production for the inaugural season of Armando Iannucci’s space tourism comedy

TV Animation ANIMATIONWorld

How Proof’s Fully Animated Previs Helped Save the ‘The Blacklist’ Season Finale

By Dan Sarto | Thursday, May 21, 2020 at 1:57pm

With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.

Feature Film VFX Headline News

WATCH: Pixomondo Previs and VFX Breakdown Reels From ‘Midway’

By Dan Sarto | Tuesday, March 10, 2020 at 9:08am

Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.

Feature Film VFX VFXWorld

‘The Irishman:’ Solving an Age-Old Problem

VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.

Awards Headline News

WATCH: Pixomondo Showcases Previs and VFX Work on Jason Momoa and Apple TV’s ‘See’

By Dan Sarto | Monday, January 20, 2020 at 5:42pm

VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.

VFX Headline News

WATCH: Pixomondo’s ‘Star Trek: Discovery’ Season 2 VFX Breakdown Reel

By Dan Sarto | Tuesday, August 27, 2019 at 2:28pm

Led by Emmy-nominated VFX supervisor Mahmoud Rahnama, the studio’s visual effects work spanned 1,100 shots done in just 11 months across four different facilities.

VFX Headline News

WATCH: Pixomondo’s ‘The Orville’ Season 2 Previs and VFX Reels

By Dan Sarto | Friday, August 23, 2019 at 1:55pm

Three reels, including an interview with Emmy nominee, VFX supervisor Nhat Phong Tran, showcase the studio’s superb previsualization and visual effects work on Seth McFarlane’s hit sci-fi action-comedy series.

Feature Film VFX VFXWorld

Doing it Fast ‘And’ Distinctive: The VFX of ‘Men in Black: International’

VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.

Marvel Studios VFXWorld

Visualize This: An Exclusive Showcase of The Third Floor’s Work on 18 Marvel Films

By Dan Sarto | Thursday, June 20, 2019 at 8:06am

With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.

TV VFX VFXWorld

Weta Digital Fells a Dragon and Slays a Giant in ‘Game of Thrones’ Season 8

Animation supervisor David Clayton shares how his team brought down the fire-breathing Rhaegal with a giant bolt, and Crum the giant wight with a small knife, in HBO’s hit action-adventure series. 

Commercials VFXWorld

Method Studios Crashes Photoreal Train in AT&T Wild West Heist Spot

By Dan Sarto | Wednesday, June 5, 2019 at 3:46pm

Studio provides elaborate VFX, including full CG derailment, previs, matte paintings and digital background replacements, for 90-second Western-themed “Train” commercial. 

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