‘Star Wars’ effects veteran Phil Tippett reveals the use of stop-mo animation for scrapwalkers in ‘The Believer’ episode of the hit Disney+ series.
Tagged With: practical effects
Third-generation special effects supervisor Jeremy Hays talks about producing realistic snow, rivers and cracking ice on the new film adaptation of Jack London’s famous novel.
Jon Favreau’s highly anticipated Disney+ ‘Star Wars’ series features a mysterious infant fans have dubbed ‘Baby Yoda,’ and it’s the cutest thing since Ewoks.
Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’ annual Visual Effects Bake-Off.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
VES Hall of Fame honorees include L.B. Abbott, Richard “Doc” Baily, Saul Bass, Ray Harryhausen, Derek Meddings, Eileen Moran and Gene Roddenberry.
Industrial Light & Magic animation supervisor Jance Rubinchik describes the joys of playing with dinosaurs for ‘Jurassic World: Fallen Kingdom.’
Industrial Light & Magic employs its traditional hybrid approach to combining practical and CG effects for grounded performances.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
Supervising Animatronics Designer with film credits including ‘Prometheus,’ and Star Wars movies ‘Rogue One,’ ‘The Force Awakens,’ ‘Solo,’ and director Rian Johnson’s ‘Star Wars: The Last Jedi.’
Raw and behind-the-scenes footage without digital enhancements or computer generated effects is packed with practical explosions and daring stunts, delivering much the thrill of the finished movie.
Bicoastal integrated content studio its in-house sister shop for design and VFX bring a new multi-spot campaign for LensCrafters to life through intricate in-camera effects.
Los Angeles-based visual effects house delivers 250 VFX shots providing seamless integration between the practical photography the digital effects for the first season of AMC’s new dramatic series.
Character effects artists create ‘Brahms,’ the creepy doll featured in Lakeshore Entertainment and STX Entertainment’s new horror movie directed by William Brent Bell.
Prolific director and animator Harry Chaskin crowdfunds stop-motion animated/live-action hybrid retelling of an Eastern European folktale one frame at a time.
The three-and-a-half minute reel from San Diego Comic-Con 2015 is a montage of behind-the-scenes footage emphasizing the practical sets and visual effects created for the film.
Under the supervision of model maker Mark Anderson, 32TEN Studios creates 19-foot “miniature” models of the massive gates that welcomed visitors to the prehistoric theme park Jurassic World.