Accomplished producer to oversee projects for Deluxe co-located sister companies Beast, Company 3 and Method Studios; Chicago-based Kendall Fash is also named Director of Marketing for Beast offices nationwide.
Many of TIFF’s most anticipated projects feature contributions from Deluxe and its portfolio companies Company 3, Method Studios and EFILM.
Teaming with agency Heat and award-winning director Wayne McClammy of prodco hungry man, MPC LA’s team of world-renowned artists provides VFX and post services for a new trailer for EA’s ‘Madden NFL 16.’
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
The Colonie welcomes assistant editors Emily Hayes and Stephania Dulowski to its creative team, moves Ben Pokorny to the company’s VFX/finishing department.
Canon, Dolby, Panasonic, Quantel and Sony named as recipients of prestigious honor.
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
Former senior art director at Click3x has worked with high-profile commercial and broadcast clients including Verizon, HBO, Olay, MasterCard, Nat Geo, Wendy’s and Movado
Hybrid studio offers integrated services for feature film and broadcast color, visual effects and emerging technologies.
Leading trade organization honors esteemed post-production executive with special award on the 10th anniversary of the Hollywood Post Alliance Awards.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
One of the first colorists at Company 3 in Santa Monica, Gabor has been a key presence within the company since 1998, helping to establish CO3’s East Coast operations.
Post production industry veteran will be responsible for overseeing creative editorial company’s seven offices across New York, Santa Monica, San Francisco, Chicago, Atlanta, Detroit and Austin.
Move underlines role as the leading trade organization for industry professionals across the content production, finishing, distribution through archive lifecycle.
Visual studio handles all aspects of new campaign from Team Detroit from concepting the approach to live-action production and VFX and post.
Multimillion dollar deal will see Deluxe take over Sony’s 4K 14,000-square-foot post facility based on the Sony lot in Culver City.
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Stefan Sonnenfeld named CEO of the new business unit; Encore’s Bill Romeo appointed Chief Marketing Officer; Joshua Touber appointed COO.
The Room founder Ben Murray assumes new role as VP of Creative Services at Technicolor-PostWorks NY.
Four-part project shot on film shared between New York and Los Angeles facilities.
