Studio names Jeff Hipolito head of IT, VFX, while Jimmy Smith joins as a VFX compositor.
Premium model kits help VFX studio quickly create new futuristic sci-fi environments for IPs such as ‘Star Trek: Discovery’ and ‘Halo;’ easily customizable assets work with Unreal, Maya, VRay, and Arnold.
Post-production studio bolsters team with former Droga 5 senior producer Josh Sanders, with Carla Thomas coming on board as producer.
Challenged with recreating authentic visuals depicting the 1952 Helsinki Olympic Games, the studio transformed sports stadiums, filling them with virtual crowds.
Company continues its push into virtual film production services with investment in new state-of-the-art Montreal facility.
Grant will be used by Montreal-based studio to further the company’s virtual production initiatives; their technology replaces greenscreens with a virtual set, offering producers creative flexibility and freedom.
The Flame artist joins studio after a 10-year stint at The Mill; artist’s project work includes John Lewis’ ‘Man on The Moon’ and Nike’s ‘Winner Stay.’
First announced this past January, deal brings new artists, technical experts, and strategic locations to the company’s expanding base of business units.
Kevin Nolting and Lee Harting, respectively, win Eddies at 71st annual ceremony, held Saturday night, that recognizes outstanding editing in 14 categories of film, TV, and documentaries.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.
Winners to be announced live at the American Cinema Editors virtual awards ceremony set for April 17.
Acquisition will expand global talent base throughout company’s diverse global business units; deal will bolster its service offerings in regions including U.S., Canada, Europe and the U.K.
American Cinema Editors organization announces key upcoming awards dates and new category award for 72nd ceremony set for next April.
Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.
With Season 2 launching October 4, and a Season 3 renewal in hand, the show’s executive producer discusses his series about an eccentric 6-year-old girl that is aspirational, relatable, and funny.
Former Legendary Entertainment production executive most recently managed 3D conversions of ‘Suicide Squad’ and ‘Venom.’
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
Robert Fisher, Jr. honored for his work on ‘Spider-Man: Into the Spider-Verse’ with award for best edited animated feature film at the 69th annual ACE Eddie Awards.
Winners to be announced at the 69th Annual ACE Eddie Awards presented by American Cinema Editors on February 1 at the Beverly Hilton Hotel.
New facility homes engineering and support team to provide professional-level support for Hollywood editors and other post-production-professionals.
Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Master storyteller Guillermo del Toro del Toro returns to Deluxe’s all-inclusive post facility in Toronto for end-to-end post-production services.
Colorist Natasha Leonnet previously lent her talents to Blue Sky’s ‘The Peanuts Movie’ and the ‘Ice Age’ and ‘Rio’ franchises.
