First announced this past January, deal brings new artists, technical experts, and strategic locations to the company’s expanding base of business units.
Tagged With: Post
Kevin Nolting and Lee Harting, respectively, win Eddies at 71st annual ceremony, held Saturday night, that recognizes outstanding editing in 14 categories of film, TV, and documentaries.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.
Winners to be announced live at the American Cinema Editors virtual awards ceremony set for April 17.
Acquisition will expand global talent base throughout company’s diverse global business units; deal will bolster its service offerings in regions including U.S., Canada, Europe and the U.K.
American Cinema Editors organization announces key upcoming awards dates and new category award for 72nd ceremony set for next April.
Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.
With Season 2 launching October 4, and a Season 3 renewal in hand, the show’s executive producer discusses his series about an eccentric 6-year-old girl that is aspirational, relatable, and funny.
Former Legendary Entertainment production executive most recently managed 3D conversions of ‘Suicide Squad’ and ‘Venom.’
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
Robert Fisher, Jr. honored for his work on ‘Spider-Man: Into the Spider-Verse’ with award for best edited animated feature film at the 69th annual ACE Eddie Awards.
Winners to be announced at the 69th Annual ACE Eddie Awards presented by American Cinema Editors on February 1 at the Beverly Hilton Hotel.
New facility homes engineering and support team to provide professional-level support for Hollywood editors and other post-production-professionals.
Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Master storyteller Guillermo del Toro del Toro returns to Deluxe’s all-inclusive post facility in Toronto for end-to-end post-production services.
Colorist Natasha Leonnet previously lent her talents to Blue Sky’s ‘The Peanuts Movie’ and the ‘Ice Age’ and ‘Rio’ franchises.
Newly elected to one-year terms as Hollywood Section officers are Jim DeFilippis as Section chair and Steve Wong as secretary/treasurer. Ramon Breton, Tom Mikkelsen, and Erik Weaver have been elected to two-year terms as Section managers.
Adobe certified trainer Nick Harauz delivers hands-on approach to 360 Filmmaking; Free 360 assets and video tutorials take filmmakers from ‘Intro to Export’ in the Cinematic 360 postproduction workflow.
With offices in India, Malaysia and South Africa, new full-service production and postproduction collective led by VFX industry veterans John Hughes and Helena Packer and film/TV/commercial director Kevin Donovan forms in Los Angeles.
Visual effects and post-production company’s new Vancouver facility installs powerful Baselight TWO grading and finishing suite.
Groundbreaking new software tool bringing high-end VFX and post workflows to 360°/VR filmmaking is based on Imagineer’s Academy Award-winning planar tracking algorithm.
VFX, post-production, and film veteran joins Aardman Nathan Love after serving as senior producer at Click 3X, MPC, and Hey Beautiful Jerk.