American Cinema Editors organization announces key upcoming awards dates and new category award for 72nd ceremony set for next April.
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Overall VFX supervisor David Van Dyke and PXO VFX supervisor Nhat Phong Tran detail the production of the HBO series’ drug-induced gravity-defying spinning hall sequence from Episode 1.
With Season 2 launching October 4, and a Season 3 renewal in hand, the show’s executive producer discusses his series about an eccentric 6-year-old girl that is aspirational, relatable, and funny.
Former Legendary Entertainment production executive most recently managed 3D conversions of ‘Suicide Squad’ and ‘Venom.’
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
Robert Fisher, Jr. honored for his work on ‘Spider-Man: Into the Spider-Verse’ with award for best edited animated feature film at the 69th annual ACE Eddie Awards.
Winners to be announced at the 69th Annual ACE Eddie Awards presented by American Cinema Editors on February 1 at the Beverly Hilton Hotel.
New facility homes engineering and support team to provide professional-level support for Hollywood editors and other post-production-professionals.
Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Master storyteller Guillermo del Toro del Toro returns to Deluxe’s all-inclusive post facility in Toronto for end-to-end post-production services.
Colorist Natasha Leonnet previously lent her talents to Blue Sky’s ‘The Peanuts Movie’ and the ‘Ice Age’ and ‘Rio’ franchises.
Newly elected to one-year terms as Hollywood Section officers are Jim DeFilippis as Section chair and Steve Wong as secretary/treasurer. Ramon Breton, Tom Mikkelsen, and Erik Weaver have been elected to two-year terms as Section managers.
Adobe certified trainer Nick Harauz delivers hands-on approach to 360 Filmmaking; Free 360 assets and video tutorials take filmmakers from ‘Intro to Export’ in the Cinematic 360 postproduction workflow.
With offices in India, Malaysia and South Africa, new full-service production and postproduction collective led by VFX industry veterans John Hughes and Helena Packer and film/TV/commercial director Kevin Donovan forms in Los Angeles.
Visual effects and post-production company’s new Vancouver facility installs powerful Baselight TWO grading and finishing suite.
Groundbreaking new software tool bringing high-end VFX and post workflows to 360°/VR filmmaking is based on Imagineer’s Academy Award-winning planar tracking algorithm.
VFX, post-production, and film veteran joins Aardman Nathan Love after serving as senior producer at Click 3X, MPC, and Hey Beautiful Jerk.
Netherlands-based studio tackles one if its biggest in-house projects yet with ‘Creature of Habit,’ spanning design & animation, production, VFX & 3D, music, editorial, color grading and sound design.
Former Glassworks veteran has contributed to countless projects such as the One Show award-winning ‘Parental Role Modelling’ TAC campaign and the captivating Philippe André-directed Lycra campaign.
‘Zootopia,’ edited by Fabienne Rawley & Jeremy Milton, wins Best Edited Animated Feature Film at the 67th annual ACE Eddie Awards.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Full-service production company represents diverse roster of world-class animation directors including Pete Candeland, Polynoid, Woodblock, and Lucas Zanotto.
Veteran production executive to oversee day-to-day operations for Deluxe Entertainment Services Group’s VFX brand Method Studios and TV/VFX brand Encore.