The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
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The long awaited second and final season has finally arrived, rolling out 2 episodes per week starting next month; Orlando Bloom and Cara Delevingne return to the fantasy world where humans and fae collide.
Jonathan Nolan and Lisa Joy’s big budgeted dystopian sci-fi thriller, which just finished its Season 4 run, falls victim to decreasing viewership and Warner Bros. Discovery’s ongoing cost-cutting measures.
SPE bolsters its VFX and virtual production capabilities with purchase of the award-winning visual effects studio, which will join Sony Pictures Imageworks and Sony Innovation Studios to handle the company's growing film and TV production demand.
Doc drop kicks off weeklong, online ‘Broadcast and Live Events: Steal the Show’ that features sessions and insight into how top creatives in broadcast and live events use Unreal Engine to engage viewers; virtual event runs through October 14.
For director Joseph Kosinski and Netflix’s crime drama, VFX supervisor Ryan Tudhope managed a group of studios that produced 900 visual effects shots, including the prison facility, UI graphics and monitor replacements, CG environmental assets, and various set extensions.
The ‘WandaVision’ and ‘Witcher’ stars are rumored to be in talks to join the second season of the twisted 'Game of Thrones' prequel on HBO Max.
A fireside chat with ‘Love, Death + Robots’ creator Tim Miller and talks with Wētā Digital / Unity, Animal Logic, Framestore and other top studios about the latest in cloud-enabled content workflows and products highlight Amazon Web Services’ conference plans this coming August 8-11.
VFX producer Brooke Noska helped 14 vendors deliver more than 7,000 shots in the long awaited third season of Seth MacFarlane’s sci-fi comedy adventure, streaming exclusively on Hulu.
Leading VFX studio has integrated Amazon Web Services into its next-gen entertainment production workflow to optimize remote connectivity and support real-time iterations for immediate review and feedback.
Creator and star Seth MacFarlane says the sci-fi series’ move from FOX to Hulu better served its character-driven comedy.
PXO and William F. White International’s Vancouver virtual production stage, at 22,000 square foot - 80 ft x 27 ft 6 in, lined with 2,500 LED wall panels and 760 LED ceiling panels – has been confirmed as the largest such facility in the world.
Inspired by George R. R. Martin’s 2018 book ‘Fire & Blood,’ the highly anticipated prequel to the iconic ‘Game of Throne’ series debuts Sunday, August 21 on HBO and HBO Max.
Premium model kits help VFX studio quickly create new futuristic sci-fi environments for IPs such as ‘Star Trek: Discovery’ and ‘Halo;’ easily customizable assets work with Unreal, Maya, VRay, and Arnold.
Global VFX studio adds previsualization services to its pre-production offerings following push into virtual production and launch of LED stages; ex-Framestore exec Alex Webster takes the reigns with veteran previs supervisor Matt Perrin heading the team.
LED Volume technology moves from otherworldly to Main Street with real-time CG digital environments that eliminate production cost overages common in on site shoots.
Live-action adaptation of Nickelodeon’s popular franchise has kicked off production using Pixomondo’s custom-built, state-of-the-art virtual production facility in Vancouver, allowing for real-time in-camera VFX, setting a new standard for immersive storytelling.
Who’s not thrilled to hear once again the fateful phrase, ‘Danger Will Robinson… Danger’ as the third and final season of the reimagined 1965 Irwin Allen sci-fi classic is soon in hand; Netflix launches the space opera’s concluding episodes December 1.
Big rocks, wrecked ships, and at least one unfortunate person careen through space in the streamer’s first official glimpse of their acclaimed sci-fi series’ third and final season, premiering December 1.
The award-winning studio announces UK operations will launch this month; former Framestore managing director will be joined in London by CEO Jonny Slow to directly support company’s VP services expansion in Europe.
VFX house and Canadian TV/Film equipment company have already begun building new virtual production stages in Vancouver and Toronto, with more set for 2022; combined capital commitment exceeds $30 million.
Led by VFX supervisor Phil Jones and VFX producer Matthew Pellar from their Toronto facility, the studio shifted into warp speed during the pandemic to deliver 570 shots for the hit Paramount+ sci-fi drama.