A virtual keynote address at the Beijing Film Academy’s International Conference on Digital Media Arts and Technology - December 25th, 2020.
The Oscar-winning creative studio brings their renowned creativity to Misselthwaite Manor and its spellbinding grounds for new reimagining of Frances Hodgson Burnett’s famous novel, premiering now on Sky.
Studio once again teams up with Anomaly and Pacific Rim Films’ Shawn Levy to bring back animated characters for a DICK’S Sporting Goods adventure.
Emmy Award-winning production designer James Pearse Connelly uses previs to design virtual sets, which are integrated with real-time rendering, Unreal Engine, and VFX to create the extended physical worlds of many new, safely produced TV shows.
Physics-based demo highlights dynamic ray-traced lights, path tracing, and 100 million polygons, all running in rea- time on a single GeForce RTX 3090 GPU.
Visual effects supervisor James Hattin and producer Nate Smalley led company’s global remote team in creating photorealistic effects for HBO Max’s inner-city coming to age drama.
Digital Human character and technology stack used in company’s short film project now available as a free download.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
1942 animated classic, ‘Bambi,’ set to become the studio’s latest photorealistic remake following the wild success of ‘The Jungle Book’ and ‘The Lion King.’
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
World’s largest photogrammetry asset library and bundled toolset will become free for all Unreal Engine use.
In support of the film’s home entertainment release, legendary VFX supervisor Rob Legato and cinematographer Caleb Deschanel talk about their groundbreaking work on ‘The Lion King.’
Directed by Jon Favreau, the global box office hit will also be available physically on 4K Ultra HD, Blu-ray and DVD October 22
Interactive, Immersive, Intelligent.
VFX powerhouse MPC's animation supervisor Stephen Enticott discusses how the studio balanced photorealism with emotion while crafting the engaging performances in ‘The Lion King,’ Disney’s latest hit animated classic remake.
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
James Cameron and Robert Rodriguez’s long-awaited epic sci-fi thriller opens in theaters February 14.
20th Century Fox will release James Cameron and Robert Rodriguez’s highly-anticipated, action-packed sci-fi thriller this coming February 14.
Software brings V-Ray scenes directly into the Unreal Editor, letting artists tap into the game engine’s power to create immersive experiences.
First animated film project for both director and Russian VFX house CGF Studio centers around a young girl and her fearless companion…a sparrow.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
As the sole visual effects vendor on the final instalment of the prequel trilogy based on the 1968 science fiction classic ‘Planet of the Apes,’ Weta Digital is in the midst of a creative and technological renaissance.
Models supervisor Florian Fernandez talks about his team’s use of proprietary Manuka ray tracer to create photorealistic apes and more for Matt Reeves’ futuristic action-adventure hit.
Director Brian Fee, producer Kevin Reher and co-producer Andrea Warren discuss the long road to theaters for Pixar’s third ‘Cars’ franchise film.
