The late visual effects supervisor and producer will be remembered for his indominable spirit as well as his incredible work on ‘Pan’s Labyrinth,’ ‘Hellboy,’ ‘Sin City,’ and many others.
Tagged With: Phil Tippett
‘Star Wars’ effects veteran Phil Tippett reveals the use of stop-mo animation for scrapwalkers in ‘The Believer’ episode of the hit Disney+ series.
Legendary nine-time Oscar-winning senior VFX supervisor to be honored at this week’s conference; ‘Tenet’ VFX supervisor Andrew Jackson to deliver closing keynote Friday, October 23.
Though we’ll miss out annual trip to Turin, Italy, we’ll pretend our stale pop tart is a pistachio biscotti as we sit back and gush over the stellar roster of talent set to teach, talk, and share over the next seven days; starting tomorrow, VIEW 2020 runs through October 23.
Films by Benoît Chieux and Alice Guimarães & Mónica Santos among prize winners honored at 11th festival edition’s closing ceremonies, which took place at Concordia University’s J.A. De Sève Cinema.
May 4th conference at Chicago’s DePaul University, for animators / by animators, will feature special guests, speakers, masterclasses and demos.
The legendary industry pioneer shares his insights as an artist, director, visual effects supervisor and survivor, including thoughts on digital character performance and conflicts with studio executives.
Theme of ‘Creating Worlds’ resonated across tracks and through presentations from Aardman, Phil Tippett, Réka Bucsi and top tech companies.
Event confirms Phil Tippett and Aardman’s David Sproxton as speakers at the annual conference set for April 24-27 in Stuttgart, Germany.
Using photogrammetry to translate physical stop-motion animation into the VR landscape, the ‘Mad God’ experience includes absolutely zero CG characters or environments.
Following strong spring commercial releases, Tippett Studio welcomes former Executive Producer of ILM and VP/EP of The Orphanage as EP of Commercials & New Media.