Tagged With: Peyton Reed
Led by VFX supervisor Stephane Paris, the Montreal studio delivers 200 visual effects shots for the latest Marvel Studios feature directed by Peyton Reed.
Led by VFX supervisor Andrew Hellen, Method artists visualize the unimaginable for the new Marvel Studios feature directed by Peyton Reed.
Director Peyton Reed and stars Paul Rudd and Evangeline Lilly return for the sequel to the 2015 hit.
‘Ant-Man’ director Peyton Reed and award-winning commercial director Loni Peristere joins filmmakers’ collective and creative studio Bullitt for commercial representation.
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.
After being rejected by critics and audiences alike, 20th Century Fox's ‘Fantastic Four’ sees one of the lowest openings of all time for a big-budget studio super hero movie.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Paramount Pictures and Skydance Productions’ $150 million tentpole feature launches to $65 million overseas for an early total of $121 million worldwide.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Peyton Reed’s ‘Ant-Man’ makes $58 million domestic debut, the second-lowest bow for Marvel Studios since ‘The Incredible Hulk’ opened to $55.4 million in 2008.
Directed by Peyton Reed and produced by Kevin Feige, Marvel’s Ant-Man arrives in theaters on July 17, 2015.
New television ad for Marvel’s ‘Ant-Man’ reveals additional footage, showcasing the film’s humorous edge but still packed with plenty of action.
The marketing push for Marvel Entertainment’s forthcoming ‘Ant-Man’ feature begins in earnest with a new ant-sized poster, an Entertainment Weekly cover, and the first full-blown trailer.