Denis Villeneuve’s highly anticipated sci-fi sequel returns to Arakis… and will hit U.S. theaters and IMAX March 1, 2024, with the international release beginning on February 24, 2024.
Denis Villeneuve’s highly anticipated sci-fi sequel is now expected to hit theaters March 15, 2024, as continuing lack of progress in SAG-AFTRA and WGA negotiations have led to multiple production shutdowns.
Check out the second look at Denis Villeneuve’s highly awaited ‘Dune’ sequel, which includes new glimpses of Florence Pugh as Princess Irulan and Austin Butler as Feyd-Rautha, coming to theaters November 3.
Following an exclusive release at CinemaCon 2023 last week, everyone can now watch the intense first look at Denis Villeneuve’s highly awaited ‘Dune’ sequel, which includes a glimpse of Florence Pugh as Princess Irulan, premiering in theaters November 3.
Shooting on the second half of Warner Bros. and Legendary’s still-unfolding sci-fi saga is now underway; planned locations include Budapest, Abu Dhabi, Jordan, and Italy.
Denis Villeneuve’s sci-fi epic scored a hefty 6 wins, though the evening’s most momentous achievement was an unwanted, violent reminder that live TV never goes as planned... or hoped.
The latest #DeepDive session is a virtual event featuring the VFX teams’ never-before-shared insights into the visual effects behind the Oscar nominated feature ‘Dune;’ registration is open and free.
On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
‘Dune’ receives 10 nominations including Best Visual Effects and Best Picture; ‘Encanto,’ ‘Flee,’ ‘Luca,’ ‘The Mitchells vs. the Machines,’ and ‘Raya and the Last Dragon’ are nominated for Best Animated Feature; ‘Affairs of the Art,’ ‘Bestia,’ ‘Boxballet,’ ‘Robin Robin,’ and ‘The Windshield Wiper’ are nominated for Best Animated Short.
Two of the director’s previous collaborators - production designer Patrice Vermette and editor Joe Walker - along with first timer, cinematographer Greig Fraser, teamed together to help him bring author Frank Herbert’s famed sci-fi novel, long thought unadaptable in cinema, to the screen.
For Oscar-winning VFX supervisor Paul Lambert and SFX supervisor Gerd Nefzer, the seamless blending of live-action and CG on Denis Villeneuve’s stunning, epic adaptation of Frank Herbert’s seminal sci-fi tome grounded the film in a believable reality, fully immersing audiences in Paul Atreides’ hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet.
Denis Villeneuve’s adaptation of Frank Herbert’s seminal sci-fi tome follows Paul Atreides hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet; film hits theaters and HBO Max on October 22.
‘Blade Runner 2049’ director Denis Villeneuve takes the helm of the latest big-screen adaptation of Frank Herbert’s classic sci-fi bestseller, and it looks dark, brooding and utterly inviting.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
‘First Man’ wins Oscar for Best Visual Effects; ‘Black Panther’ wins three awards including Costume Design, Production Design & Original Score.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
Ten Oscar hopefuls vie for nominations at the Academy of Motion Picture Arts & Sciences’ annual Visual Effects Bake-Off.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
‘Black Panther,’ Oscar-winner ‘Blade Runner 2049’ and ‘Star Trek: Discovery’ will be spotlighted.
Glen Keane’s ‘Dear Basketball,’ Pixar’s ‘Coco’ win animation Oscars; ‘Blade Runner 2049’ wins VFX and cinematography awards.
Honor is the most-recent for the visual-effects house in a busy awards season.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
Company’s Montréal team created nearly 300 shots for the sequel to the sci-fi classic.
