Former 20th Century Fox executive brings more than three decades of global entertainment experience to the studio.
Tagged With: Paramount
Walt Disney Animation Studios feature tops the North American box office with $18.8 million; Illumination Entertainment’s ‘Sing’ rolls out to international territories ahead of its domestic debut.
Makoto Shinkai’s anime feature debuts to $41 million in China, and passes Hayao Miyazaki’s ‘Howl’s Moving Castle’ to become the second-largest-grossing Japanese film of all time; Disney’s CG-animated ‘Moana’ rules North American box office for second weekend in a row.
‘Little Prince’ director developing a trilogy of animated features based on the Eisner-winning comic series from Jeff Smith.
Animated Bedtime Stories shorts bolster an over-the-top tug-of-war for the kids’ attention in the Paramount feature starring Mark Wahlberg and Will Ferrell.
Just days after director Mark Osborne reveals that that Paramount Pictures will no longer be distributing the stop-motion/CG-animated hybrid feature, Netflix swoops in to save the day.
Director Mark Osborne confirms that France’s most expensive animated feature to date has been pulled from U.S. theaters one week ahead of its release.
J.J. Abrams’ record-shattering ‘Star Wars’ reboot becomes the fastest title in history to hit $700 million, a feat accomplished in only 16 days versus the 72 days it took for ‘Avatar’ to reach the milestone.
J.J. Abrams' record-shattering ‘Star Wars’ reboot earns $149.2 million domestically and $550.3 million overseas over Christmas weekend for a global cume of $1.09 billion through Sunday.
Stop-motion animated R-rated feature co-directed by Charlie Kaufman and Duke Johnson was produced by ‘Robot Chicken’ producer Rosa Tran.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.
Sony Pictures Animation wins a three-studio auction for an animated movie pitch centering on emoji; project is to be directed by Anthony Leondis and produced by Michelle Raimo Kouyate.
Peyton Reed’s ‘Ant-Man’ makes $58 million domestic debut, the second-lowest bow for Marvel Studios since ‘The Incredible Hulk’ opened to $55.4 million in 2008.
Taking first place at the North American box office with a $115.2 million debut, Illumination Entertainment’s ‘Despicable Me’ spinoff scores the second-biggest opening weekend of all time for an animated title.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the third weekend in a row; Paramount's ‘Terminator Genisys’ sees third place debut with $28.7 million from 3,758 locations.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the second weekend in a row; Seth MacFarlane R-rated comedy sequel ‘Ted 2’ underwhelms with $33 million debut.
Overseas, DreamWorks Animation’s ‘Home’ opens in nine markets, earning an outstanding $19.2 million debut.
Warner Bros.’ R-rated romantic heist movie ‘Focus’ wins the North American box office race with a $19.1 million debut; Microbudget horror film ‘The Lazarus Effect’ rounds up the top five with $10.6 million.
Holdover films ‘Fifty Shades,’ ‘Kingsman: The Secret Service’ and ‘The SpongeBob Movie: Sponge Out of Water’ fend off a trio of new offerings at the domestic box office.
Comic book adaptation opens to $36.2 million at the North American box office, and is track to pass $100 million domestically.
Australian animation and visual effects studio completes 550 shots for the 3D/2D/live-action hybrid feature, including building and animating the SpongeBob entourage for their big-screen CG debut.
In one of the best debuts ever for the month of February, Paramount and Nickelodeon Movies’ ‘The SpongeBob Movie: Sponge Out of Water’ soaks up $56 million for its domestic opening.