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Tagged With: parallax

Man This is Deep! ANIMATIONWorld

Converting ‘Puss in Boots: The Last Wish’ to Stereo 3-D

Stereographer Jeremy Carroll discusses the careful, creative decisions needed to convert animation, including the depth of a scene and how exaggerated the action can be so audience’s eyes don’t become fatigued and ruin their experience.

In 2D, 3D, CG, Films, People, Stereoscopic 3-D, Technology | ANIMATIONWorld | Geographic Region: All

And the Oscar Goes to…? VFXWorld

Virtual Production Takes Center Stage in ‘The Midnight Sky’

Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.