Podcast EP 244: Lachlan Pendragon and How His Stop-Motion Film Scored an Oscar Nom
The Australian animator discusses making his short ‘An Ostrich Told Me the World Is Fake and I Think I Believe It’ and his journey to the Academy Awards.
The Australian animator discusses making his short ‘An Ostrich Told Me the World Is Fake and I Think I Believe It’ and his journey to the Academy Awards.
The team behind 2017’s Oscar-nominated ‘Loving Vincent’ returns with a vibrant new oil painted and rotoscoped animated feature about a young woman, Jagna, whose determination to forge her own path puts her on a tragic collision course with her 19th century Polish village community, opening in U.S. theaters on January 26, 2024.
The award-winning animated short uses live-action and hand-drawn animation to tackle the complex story of a Holocaust survivor who addresses a classroom full of students and one young schoolgirl’s reaction; streams on YouTube for 2-days only – beginning January 4.
Join the VIEW Conference and VFX Festival’s free March 16 online conversation with the directors and producers behind this year’s Academy Award-nominated animated short film line-up.
On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
Every Friday Chris Robinson unleashes some freewheeling cheer or loathing on the animation community to be mused, countered, or disregarded. It’s your call.
An array of products from Blackmagic Design were used in 2016 Oscar-nominated films including Blackmagic Cinema Cameras on ‘Mad Max: Fury Road’ and DaVinci Resolve Studio and Fusion Studio on ‘The Martian.’