Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure.
Last night, during ESPN’s Sunday Night Baseball, the streamer treated fans to a look at the new live-action espionage thriller starring Samuel Jackson, Ben Mendelsohn, Cobie Smulders, and Martin Freeman, premiering this June.
In the fourth installment of the shoot ‘em up in volume franchise, Wick uncovers a path to defeating The High Table that turns old friends into foes, hitting theaters March 24.
Led by VFX supervisor James HattSmith, the studio delivers 360 shots filled with a wide range of expansive visuals on the Netflix dark fantasy that follows the journey of Morpheus, the King of Dreams, captured and held prisoner for over a century, who struggles to fix the chaos his absence has caused.
Streamer releases 2-part episode this morning that includes animated segment, ‘A Dream of a Thousand Cats,’ directed by ‘Undone’s Hisko Hulsing and featuring the voice talent of David Tennant, James McAvoy, Sandra Oh, and Michael Sheen.
The prolific, award-winning creator and author shares footage and other reveals from his upcoming supernatural thriller, set to hit Netflix on August 5.
The studio’s team shares how it created the Showtime sci-fi series’ stunning space bound shots, alien skin suit technology, and deformed faces.
Hosted online March 8 by Animated Women UK, speakers will share the upside to f*cking stuff up, including lessons learned and gleaning positives from failures; the panel, featuring professionals from across VFX and animation.
New film delves into the origins of a biochemist-turned-bloodsucker, who first appeared in Marvel comics as a foil to Spider-Man and later became a flawed antihero.
The VFX studio strengthens its leadership team with the former DNEG, Framestore and MPC animation head and supervisor.
Marvel’s living vampire with a rare blood disorder unleashes his darkness in the all-new action thriller hitting theaters January 28.
The free 2-day event introduces young people to career opportunities within the creative industries; program runs July 13-14 and registration is now open.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.
VFX house One of Us worked through the COVID-19 pandemic to deliver 350 shots on Netflix’s wildly popular period romance drama set in an alternate Regency-era universe.
Studio delivers 400 shots across eight episodes; limited set of buildings required extensive CG work to extend architecture, roads, street furniture, trees, and plants.
Newly named managing director and director of operations, respectively, bolster company’s leadership during period of rapid global growth; new head of infrastructure, Martin Weaver and HR manager, Eva Kilikitas, will support the directors in their new roles.
Theo Demiris and his team created a variety of Italian environments, from marshland to an Army base, while in lockdown, for Academy Award-nominated Luca Guadagnino’s series about two American kids living at a U.S. military base in Italy.
The Soho visual effects studio’s digital work added to the richness and beauty of the make-believe world inspired by original 19th century illustrations of Carlo Collodi’s famous story.
Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.
‘Black Panther,’ Oscar-winner ‘Blade Runner 2049’ and ‘Star Trek: Discovery’ will be spotlighted.
Working under VFX supervisor Ben Turner, Soho-based boutique visual effects studio delivers 428 ‘invisible’ shots for the new Netflix series.
Soho-based VFX studio tackles character animation for Hugh, a boy inhabited by bees, for the Tim Burton film from 20th Century Fox.
Visual Effects veteran joins Soho-based studio from Prime Focus World, where he managed both the VFX and stereo 3D output for features including ‘Hercules’ and ‘Kingsman: The Secret Service.’
One of Us and Milk VFX brave the elements in their work on Baltasar Kormakur’s action adventure.
