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Tagged With: Nuke

VFX for TV VFXWorld

Goodbye Kansas Brings VFX to the Astral Plane in ‘Behind Her Eyes’ Mini-Series

Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.

Nominated for an Annie! VFXWorld

Pushing the FX Pedal to the Metal in ‘Fast & Furious: Spy Racers’

Smoking wheels and burning rubber barely scratch the visual effects surface of DreamWorks Animation and Netflix’s high-horsepower street racing thriller, nominated for a Best FX for TV/Media Annie Award for the third season ‘Sirocco Fire Explosion’ finale.

Nominated for an Annie! VFXWorld

Creating the ‘Smokin’ FX Magic of ‘DreamWorks Wizards’

By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.   

Technology Headline News

Foundry Releases Nuke 13

New version introduces flexible machine learning toolset, Hydra 3D viewport renderer and extended monitor out functionality, enhanced workflows for collaborative review, and Python 3 support.

Events Headline News

Foundry Live Returns March 15-25

Virtual sessions will highlight key trends in the VFX industry while sharing the latest updates of the creative software company’s latest updates; registration is now open.

Commercials Headline News

JAMM Scores a Touchdown with ‘The Neighborhood’ Spot

DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.

VFX breakdowns Headline News

VFX Legion Brings on the Nightmares in Amazon Prime’s ‘Black Box’

By Dan Sarto | Thursday, January 21, 2021 at 11:18am

Studio delivers over 200 shots on the latest entry in the ‘Welcome to the Blumhouse’ psychological thriller film anthology; dark story centers on an amnesiac desperate to regain his memory.

short film animation ANIMATIONWorld

‘Bearly’ Charms as SCAD Animation Studio’s Debut Film

The delightful 2D/3D animated musical short, about a curious bear cub’s attempt to resist hibernation, marks the start of the program’s ambitious plan to produce two new shorts each year.

Technology Headline News

KeenTools 2021.1 Now Available

Major update to FaceBuilder for Blender includes built-in ARKit-compatible FACS blendshapes; support for Live Link Face CSV files with ARKit blendshape coefficients; fixed symmetry for topology and shape; added low-poly and mid-poly topologies; and more.

Feature Film VFX VFXWorld

Method Scares Up the Boogeyman in ‘A Babysitter's Guide to Monster Hunting’

Led by VFX supervisor Hamish Schumacher, the Vancouver studio designs and produces three digital monsters, known as Toadies, bringing frighteningly-good fun to Netflix’s new film, based on the Joe Ballarini’s book series.

digital humans ANIMATIONWorld

A Digital Woman Discusses Society’s Perception of Femininity in ‘I.D.A’ CG Short

By Dan Sarto | Wednesday, October 28, 2020 at 4:45pm

VFX studio Nu Boyana FX’s first inhouse animated short, based on a spoken word poem, started as an R&D project before blossoming into a film asking fundamental questions about what makes a girl real; the fully keyframed film’s production toolkit included Zbrush, Mari, Maya, and Nuke.

Music Videos ANIMATIONWorld

The Shins ‘The Great Divide’ Takes a Reverse Zoom Journey Through the Big Bang

By Dan Sarto | Tuesday, October 20, 2020 at 12:09pm

Producer Jen Alvares and her Hunters House team deliver a stunning, complex CG music video for the Grammy-nominated indie rock band’s latest single.

Feature Film VFX Headline News

Watch VFX Legion’s ‘Charm City Kings’ VFX Breakdown Reel

Visual effects supervisor James Hattin and producer Nate Smalley led company’s global remote team in creating photorealistic effects for HBO Max’s inner-city coming to age drama.

Emmy Awards Headline News

Foundry’s Nuke Wins Engineering Emmy Award

Engineering team members Bill Spitzak, Jonathan Egstad, Peter Crossley, and Jerry Huxtable to be recognized for their contributions to development of their industry leading compositing tool; virtual awards ceremony scheduled for October 29.

Technology Headline News

Foundry’s Nuke Indie 12.2v3 Update Now Available

With the addition of support for H.264 and AAC audio codecs, the indie version for solo artists now includes all file formats supported by commercial Nuke Studio; 3rd party OFX plug-ins are also now enabled.

Commercials Headline News

Zoic Crafts First-Person Shooter Experience for ‘No Extra Life’ Gun Safety PSA

By Dan Sarto | Thursday, September 24, 2020 at 11:42am

Studio’s new fully CG spot drops viewer into frantic video game race to find loved one after realizing unsecured gun is missing from a drawer.

Music Video ANIMATIONWorld

Moby Drops Moving ‘My Only Love’ Music Video Depicting Amazon’s Heartbreaking Destruction

By Dan Sarto | Friday, July 31, 2020 at 11:19am

Celebrated musician teams with Brazilian studio Zombie on beautifully designed CG animated video chronicling rampant Amazon deforestation.

Covid-19 Headline News

New Short Reveals a Young Boy’s Imaginary Battle Against the Covid-Dragon

By Dan Sarto | Friday, July 3, 2020 at 1:21pm

In Joey Jones’ charming CG animated film, ‘How the Covid-dragon Disappears,’ a kid’s imagination serves as the battleground for a knight’s valiant fight against the coronavirus, honoring the brave essential workers of the 2020 pandemic.

Technology Headline News

Making Myth Real: Breathing Light Into ‘White Snake’

For Beijing-based Light Chaser Animation, Foundry has played an essential role in the studio’s growing success in producing visually compelling and beautifully designed CG animated feature films. 

Autodesk Headline News

Dive into the Aquatic World of VES Student Award Winner ‘The Beauty’

By Dan Sarto | Friday, January 31, 2020 at 1:03pm

Filmakademie Baden-Weurttemburg team honored as top up-and-coming filmmakers with annual award sponsored and presented by Autodesk at 18th Annual Visual Effects Society gala.

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