Known for his 2D aesthetic and humor, the animator joins the studio’s Australian-based creative team; work includes episodes of Netflix’s ‘Headspace’ animated series and his short, ‘Phantom Limb,’ recognized for its portrayal of life and love after amputation.
Tagged With: The New York Times
A pioneer for women in animation, the trailblazing funny lady began her career in the ‘90s, becoming one of very first women in the writer’s room; she worked on numerous series as a script writer including ‘Daria,’ was senior editor of ‘Nickelodeon Magazine,’ and her illustrations were seen in ‘Redbook’ and ‘The New York Times.’
The Oscar-winning ‘Spider-Man: Into the Spider-Verse’ writer/director and former MGM co-president’s new company will focus on event animation and live-action; 20 projects underway including feature films and series in various stages of development.
Company nabs North and Latin American streaming and home video rights for new animation based on ‘Inuyasha’ universe.
All-women boutique design and animation studio brings expertise in handmade animation techniques fused with live-action to campaigns for numerous high-end clients.
Call was expected after network put production on hiatus in November after the comic confessed to sexual misconduct.
Growing outcry from media outlets and critics prompts reversal of blacklist, instituted in response to an investigative story published in September about the studio’s political and financial influence in Anaheim.
Deals bring tech-centric preschool show to viewers in Ireland, Finland, Israel, Australia and Korea.
Director of immersive platforms storytelling for ‘The New York Times’ Graham Roberts will present a 40-minute talk about the organization’s VR expertise and integration of the new medium into the media outlet’s news reporting through NYT VR, as well as insight into the making of the 10-minute short film ‘The Antarctica Series: Under A Cracked Sky,’ executive produced by Roberts and one of four films in the Times’ Antarctica series.