SRFF 2022 is Coming to NYC
SR Socially Relevant Film Festival New York is coming March 16 – 27 featuring in-person and online screenings; selections aim to highlight the human condition and raise awareness.
SR Socially Relevant Film Festival New York is coming March 16 – 27 featuring in-person and online screenings; selections aim to highlight the human condition and raise awareness.
Technicolor Creative Studios merges the 2 companies, creating the world’s largest VFX studio for the advertising and brand experience industries.
Boutique studio further bolsters creative team with the addition of Jonathan Lee and Weicheih Yu as CG leads.
Design company sends an owl soaring through Central Park in ‘Magical Menagerie,’ using wintery 2D and 3D animation to showcase the park’s iconic statues as well as the brand’s latest collection.
VFX house creates campaign and 3-minute anthem film that showcases its ‘sales reel’ from 1981 complete with fictional relics from the past.
Celebrating 25 years, the Oscar-qualifying event aims to promote a more intelligent and diverse film culture for kids; submissions are now being accepted in shorts, features, animation, and live-action.
Series of interconnected co-located facilities will provide one-stop shopping for technology, talent and creativity servicing the entertainment, advertising, and brand experience industries; campuses coming soon to Soho, London, Soho, New York and Culver City, Los Angeles.
Long-time leaders from VFX company’s New York facility go south, bolstering team at growing Georgia location; Kubovick assumes role as head of studio and senior VFX supervisor with Seguin serving as head of production and executive producer at her new post.
The visual effects studio has opened a new office in NYC’s Financial District; the new digs are part of the company’s global expansion strategy and will accommodate its growing staff.
Industry veteran brings expertise in digital production and original IP development; will be tasked with advancing the studio’s vision and distinct approach to animation.
For launch weekend of Hulu’s highly anticipated animated cartoon series reboot, Firefly used next generation holoprojector devices to create first-of-its-kind 3D hologram experiences in iconic locations.
Famed micro-animation series that uses crowd-sourced voicemail messages for content returns with ‘Seagulls’ (#217); hotline phone is back open for callers sharing their 2020 experiences.
Supported by Post New York Alliance and NY State VFX/Animation tax credits, visual effects providers eye a post-COVID-19 comeback.
The School of Visual Arts in New York City is offering a peek at some of its outstanding in-progress thesis projects from the school’s various animation-driven departments.
French animation festival to feature 15 premieres, animated shorts, features and discussions with acclaimed filmmakers.
The Misweant writes about a different labyrinth and definitely not those ‘Turtles;’ plus, with apologies to Rocket J. Squirrel, ‘that voice… where have I heard that voice?’
In this video featurette, the director discusses his decision to use animation over live-action as well as his approach to capturing actors’ performances, on his film about Luis Buñuel's famous documentary, ‘Las Hurdes: Land Without Bread.’
To support upcoming theatrical release, GKIDS shares featurette with director Salvador Simó discussing animation used for a specific look in his film about Luis Buñuel's famous documentary, ‘Las Hurdes: Land Without Bread.’
Festival returns June 21 with a First Day of Summer showcase featuring new work from noted event alumni.
Berlin-based Pictoplasma Conference returns to New York November 7 & 8 to present today’s most trailblazing and trendsetting character design with speakers including Réka Bucsi, Peter Sluszka and Sophie Koko Gate.
AWN’s resident Miscweant attends The Academy’s September New York City event honoring celebrated New York animators Signe Baumane, Emily Hubley, Candy Kugel and Debra Solomon.