Visual Effects Society Announces 2019 VES Fellows
This year’s class, honored for their exceptional achievements and sustained contributions to the industry, will be recognized at a special reception on October 2.
This year’s class, honored for their exceptional achievements and sustained contributions to the industry, will be recognized at a special reception on October 2.
Studios from Sydney to London help create the visual effects for Ridley Scott’s new sci-fi/horror film.
ILM chief creative officer and senior visual effects supervisor John Knoll -- nominated for an Oscar alongside VFX supervisor Mohen Leo, animation supervisor Hal Hickel, and special effects supervisor Neil Corbould -- details the challenges of bringing the continuing saga of the Skywalker family to the big screen.
Contenders in the animated feature, animated short and visual effects categories share their initial reactions to their nominations for Oscar gold.
Abstract: Nominees for Best Animated Feature are ‘Kubo and the Two Strings,’ ‘Moana,’ ‘My Life as a Zucchini,’ ‘The Red Turtle,’ and ‘Zootopia.’
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
Visual Effects Society announces new print and digital publication as the leading global voice of VFX to herald its 20th anniversary; inaugural issue slated for April 2017.