BAFTA-nominated animators direct CG-animated music video for the U.K. chart-topping musical artist’s seventh album, ‘In Winter.’
New studio adds directors Gary Thomas and Matt Greenwood, design director Stefan Woronko, senior colorist Roslyn Di Sisto, and executive producer Kristen Van Fleet.
Trunk director Layla Atkinson employs rough cardboard and simple drawings inspired by American folk art combined with beautiful lighting to create the music video’s stop-motion aesthetic.
Collaboration on the colorful, fast-paced music video for ‘Super Hero,’ serving up hypnotic imagery from eye charts to kaleidoscopic wheels, included several key stages of production from ideation and design to compositing and rendering.
Grasshorse Studios uses ToonBoom Harmony and open-source Blender to create a music video for the band’s new single, ‘Roll Up.’
“High and Low” music video weaves two worlds together with a mix of live-action and fantastical CG animation.
London-based illustrator and GIF maker creates whimsical visuals inspired by Stephen Hawking’s theory of time travel.
Chicago animators David Wall and Lauren Travers of CineMiniature Pictures deliver a hyper-imaginative stop-motion animated video Inspired by the style of classic 1960s Claymation.
Spanish directors Teo Guillem and Carlos Pardo twist physical with digital to push the limits of live-action and CGI storytelling.
Official short film selections in eight categories are unveiled for the KLIK! Amsterdam Animation Festival taking place October 25-30.
Experimental 1979 music video by John Lamb and Bruce Lyon, ‘Tom Waits For No One,’ will debut for the first time in more than 35 years at Animation Volda, September 22-25 in Norway.
Click 3X bolsters live-action talent with the addition of award-winning directors Justin Dickel, Lindsay Daniels and Yannakis Jones.
Stirring music video features Regina Spektor’s performance of the classic George Harrison song, ‘While My Guitar Gently Weeps,’ from the ‘Kubo and the Two Strings’ Original Motion Picture Soundtrack.
Overseen by creative directors Jonah Hall and Kevin Lau, Timber's team of artists provides editorial, design, animation and visual effects to new visual piece directed by Partizan's Grady Hall.
Director Dave Meyers of Zanmi Films and Strange Invention's VFX supervisor Todd Sarsfield team with Nice Shoes for a new music video for the signature song in Disney’s ‘Alice Through the Looking Glass.’
Iconic seventies hit retooled by The Vamps is part of the soundtrack of DWA’s hit CG-animated three-quel, ‘Kung Fu Panda 3.’
Director Rok Predin uses MAXON Cinema 4D and Adobe After Effects to create an homage to the 1990s with the isometric look of early 16-bit video games such as ‘Street Fighter’ and ‘Sim City.’
Director Junior Martinez creates a poetic and unnerving music video for ‘Sweet 84,’ from composers Joe Wilson and Tom Kingston’s self-titled debut album.
Japan’s ‘Track’ by Tochka, Kazue Monno and Takeshi Nagata, wins the Grand Prix award in the non-narrative short category; ‘Cafard,’ directed by Jan Bultheel, is awarded the Grand Prix for feature animation; Nina Gantz wins the Grand Prix award in the student film category for ‘Edmond.’
‘Shaun The Sheep: The Movie’ wins Best Long Form Animation; Martin Freeman wins Best Voice Performance for ‘Stick Man’; ‘Stick Man’ and ‘The Amazing World of Gumball’ pick up two awards each.
Therapy Studios and Visual Creatures team with production company Bob Industries to help Grammy-winning musical artists create their most ambitious music video yet.
The daughter of pioneering animators Faith and John Hubley creates a new music video for ‘Call Back the Dogs,’ the new single from New York-based “dark-folk” musical artist Kate Vargas.
With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.
Animated music video for ‘To My Surprise’ by James is inspired by elements of anime, propaganda art, Diego Rivera’s murals, and graffiti paintings.
Adobe Creative Resident Kelli Anderson uses a combination of After Effects, Photoshop and Illustrator to create a new stop-motion animated video for TMBG’s holiday cut, ‘Long White Beard.’
