Concept artist Ash Thorp releases a highlight reel of concepts and animations created for director Rupert Sanders’ live-action remake of the classic anime property starring Scarlett Johansson.
New character and creature group to offer MPC Advertising’s proprietary ACE animated character engine tool for character-driven storytelling across a range of digital platforms.
Visual effects veteran to head up ad projects and help train the next generation of young artists.
New clip from the forthcoming sci-fi adaptation directed by Rupert Sanders showcases stunning production design and visual effects with a mind-boggling attention to detail.
Deadline for submissions to Autodesk-sponsored global competition is May 29th.
First full-length trailer for the fifth installment of the popular Disney franchise showcases visual effects created by lead VFX house MPC alongside Atomic Fiction, Lola, Mr. X, and more.
New MD joins Brickyard’s Boston facility from MPC Los Angeles; Amy Appleton promoted to Executive Producer.
MPC London veteran to work alongside VFX Creative Director Rob Hodgson to lead the studio’s advertising VFX division.
VFX, post-production, and film veteran joins Aardman Nathan Love after serving as senior producer at Click 3X, MPC, and Hey Beautiful Jerk.
The award-winning CG Supervisor will work in the company’s global film division.
Led by VFX supervisor Ferran Domenech, Montreal studio delivers more than 180 shots for director Juan Antonio Bayona’s fantasy film, including transformations and close-ups shots of the titular Monster.
Talent agency will represent the Los Angeles studio to agencies and brands for commercial work on the west coast.
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
MPC returns to the world of Harry Potter, delivering 220 VFX shots including 3D environments of prohibition-era Manhattan, set extensions, magic effects, and the creation of three beasts: Demiguise, Occamy and Billiwig.
Lausch named Head of New Business for client-direct; Haynes joins as EP to lead VFX work as the studio responds to continued growth.
MPC artists deliver more than 200 shots for 20th Century Fox’s fantasy feature including digital props, set extensions and character effects as well as ‘invisible’ effects used throughout the film.
The Foundry shadows Italian production company Radical Plans as it sets out to create a Virtual Reality documentary about the plight of refugees arriving in Italy.
Former Digital Domain VP to oversee and represent MPC’s VFX Supervisor talent, including Richard Stammers, Erik Nash and Guillaume Rocheron; Julian Levi promoted to General Manager.
New 25,000-square-foot digital studio in Culver City dedicates more space, technology and resources for advertising, interactive and feature film projects.
Dani Zeitlin named Executive Producer of Color; Elissa Norman joins as Senior Producer.
Developer of tools for CG content creation hosting behind-the-scenes presentations from a raft of customers including Pixar Animation Studios, MPC and Sony Pictures Imageworks.
London-headquartered VFX house boosts its Vancouver presence with the addition of executive producer Kelly L‘Estrange; and appointment of Jenny Rodgers as general manager.
New release includes the same shaders and lighting tools used for lighting and look development on Pixar’s ‘Finding Dory’ and ‘Piper.’
New trailer for director J.A. Bayona’s fantasy feature showcases stunning VFX created by El Ranchito, MPC, Headless and Glassworks Barcelona.
Fabric Engine user group meeting to be held July 26; joint presentation with Oculus Story Studio at DigiPro demonstrating how characters rigged with Fabric can add realism to VR experiences within Epic’s Unreal Engine takes place July 23.
