First full-length trailer for the fifth installment of the popular Disney franchise showcases visual effects created by lead VFX house MPC alongside Atomic Fiction, Lola, Mr. X, and more.
Tagged With: MPC
New MD joins Brickyard’s Boston facility from MPC Los Angeles; Amy Appleton promoted to Executive Producer.
MPC London veteran to work alongside VFX Creative Director Rob Hodgson to lead the studio’s advertising VFX division.
VFX, post-production, and film veteran joins Aardman Nathan Love after serving as senior producer at Click 3X, MPC, and Hey Beautiful Jerk.
Led by VFX supervisor Ferran Domenech, Montreal studio delivers more than 180 shots for director Juan Antonio Bayona’s fantasy film, including transformations and close-ups shots of the titular Monster.
Talent agency will represent the Los Angeles studio to agencies and brands for commercial work on the west coast.
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
MPC returns to the world of Harry Potter, delivering 220 VFX shots including 3D environments of prohibition-era Manhattan, set extensions, magic effects, and the creation of three beasts: Demiguise, Occamy and Billiwig.
Lausch named Head of New Business for client-direct; Haynes joins as EP to lead VFX work as the studio responds to continued growth.
MPC artists deliver more than 200 shots for 20th Century Fox’s fantasy feature including digital props, set extensions and character effects as well as ‘invisible’ effects used throughout the film.
The Foundry shadows Italian production company Radical Plans as it sets out to create a Virtual Reality documentary about the plight of refugees arriving in Italy.
Former Digital Domain VP to oversee and represent MPC’s VFX Supervisor talent, including Richard Stammers, Erik Nash and Guillaume Rocheron; Julian Levi promoted to General Manager.
New 25,000-square-foot digital studio in Culver City dedicates more space, technology and resources for advertising, interactive and feature film projects.
Developer of tools for CG content creation hosting behind-the-scenes presentations from a raft of customers including Pixar Animation Studios, MPC and Sony Pictures Imageworks.
London-headquartered VFX house boosts its Vancouver presence with the addition of executive producer Kelly L‘Estrange; and appointment of Jenny Rodgers as general manager.
New release includes the same shaders and lighting tools used for lighting and look development on Pixar’s ‘Finding Dory’ and ‘Piper.’
New trailer for director J.A. Bayona’s fantasy feature showcases stunning VFX created by El Ranchito, MPC, Headless and Glassworks Barcelona.
Fabric Engine user group meeting to be held July 26; joint presentation with Oculus Story Studio at DigiPro demonstrating how characters rigged with Fabric can add realism to VR experiences within Epic’s Unreal Engine takes place July 23.
MPC creates more than 200 VFX shots for an action-packed Moon landing sequence that opens the sequel to director Roland Emmerich’s classic 1996 movie.
Animated clip accompanies new short story by J.K. Rowling that serves as a prequel to the upcoming Harry Potter feature, ‘Fantastic Beasts and Where to Find Them.’
Industry veteran has held senior roles at MPC and Cinesite, working on projects such as ‘Jungle Book,’ ‘Skyfall’ and ‘Harry Potter and the Order of the Phoenix.’
Full-length Virtual Reality experience created by director Rob Petrie and EP Tim Dillon to be released later this year.