MPC VFX supervisor Richard Clegg and his team create fully CG environments and complex digital characters such as Mother Ginger, the Mouse King, and an army of seven-foot tin soldiers for Disney’s new feature film adaptation of the classic holiday tale.
Tagged With: MPC
Lead by VFX supervisor Richard Clegg, MPC’s artists craft more than 1,000 shots for Disney’s live-action remake, from CG environments including palaces, forests and rivers, to large-scale FX work and extensive digital character animation.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
First glimpse of live-action remake promises a faithful and visually enticing reimagination of beloved animated classic.
With VFX provided by MPC and Framestore, first-ever live-action movie based on the iconic face of the global Pokémon brand arrives in theaters on May 10, 2019.
Legendary creative will lead end-to-end creative and production solution at the London branch of the VFX powerhouse.
Look dev artist for the Harry Potter franchise and lead compositor on the Oscar-winning ‘The Jungle Book’ to work across Framestore’s Advertising, Television and Immersive divisions.
Led by VFX supervisors Richard Little and Arundi Asregadoo, MPC Film delivers hero animation for the Upgraded Predator along with the Predator Dogs, a CG swamp environment, and more.
Former senior EP and VP takes new role as managing director, overseeing operations for integrated advertising and immersive experiences at the Los Angeles facility.
Studio names Ashley Bernes creative director; VFX supervisor Dirk Riesenfeld relocates from Amsterdam office.
‘Women in Technology’ spotlight series to include presentations from Janelle Croshaw Ralla, Kelsey Hurley and Renee Tam.
MPC’s LA studio promotes Morten Vinther to Creative Director and Jim Spratling to Head of 2D, with Daniel Seddon joining as VFX Supervisor.
Warner Bros. first look at sequel to Gareth Edwards’ 2014 hit features epic kaiju rumble between the quartet of ancient foes.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
Exec brings extensive production experience in film, television and commercials to the company’s advertising division.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
MPC CG supervisor Chris Downs details the production of 350 visual effects shots for director Ava DuVernay’s adaptation of ‘A Wrinkle in Time.’
Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
Does the Middle Kingdom’s growing use of quality previsualization efforts portend greater VFX-heavy film success to come?