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Tagged With: MPC

Feature Film VFX VFXWorld

The Triumph of Invisibility: The Spectacular Non-Spectacular Effects of ‘1917’

Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.  

Oscars Headline News

Autodesk Congratulates the 2020 VFX and Animated Feature Oscar Nominees

By Dan Sarto | Wednesday, February 5, 2020 at 5:05pm

Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.

Feature Film VFX VFXWorld

MPC Braves the Front Lines to Deliver VFX for Same Mendes’ ‘1917’

By Dan Sarto | Wednesday, February 5, 2020 at 2:58pm

Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.

Home Entertainment Headline News

WATCH: New MPC ‘The Lion King’ VFX Breakdown Reel

By Dan Sarto | Tuesday, February 4, 2020 at 2:17pm

Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.   

Business Headline News

Technicolor and Former CEO Frederic Rose Charged with Fraud in France

By Dan Sarto | Wednesday, December 18, 2019 at 12:26pm

French multi-national, owner of leading VFX and creative studios MPC, The Mill, Mr. X and Mikros, is indicted after seven-year investigation by French authorities. 

Home Entertainment Headline News

Disney’s ‘The Lion King’ Now Available on Digital in HD, 4K Ultra HD and Movies Anywhere

Directed by Jon Favreau, the global box office hit will also be available  physically on 4K Ultra HD, Blu-ray and DVD October 22

Commercials Headline News

MPC and Frankie Create a Woman’s ‘Legend’ for BMW

Leading VFX studio uses Cospective’s remote review tools to help visualize CG crows, rusting ships, giant waves, Roy the Destroyer and other numerous effects for car maker’s X7 luxury SUV spot.

People Headline News

Technicolor Adds Steffen Wild as New Head of Virtual Production

Industry veteran joins company’s pre-production studio to help merge previs, techvis and postvis together into flexible, storyteller-focused integrated production pipeline. 

Feature Film VFX VFXWorld

Taking on the ‘Lion’s’ Share of the Work

VFX powerhouse MPC's animation supervisor Stephen Enticott discusses how the studio balanced photorealism with emotion while crafting the engaging performances in ‘The Lion King,’ Disney’s latest hit animated classic remake. 

People Headline News

Jellyfish Pictures Appoints Matthew Bristowe as Director of Operations

Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.

Feature Film VFX VFXWorld

A Monstrous Undertaking: The VFX Behind Godzilla, Ghidorah, Mothra and Rodan

Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’

Feature Film VFX VFXWorld

Creating a Sense of Realism in ‘Pokémon Detective Pikachu’

Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.

MPC VFXWorld

How MPC Animated the High-Flying Elephant for Tim Burton’s ‘Dumbo’

From defying gravity to expressing emotion in a believable way, reality was key for animation supervisor Catherine Mullan and the team of artists at MPC.

MPC Headline News

Acclaimed VFX Supervisor Lindy De Quattro Joins MPC Film

Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.

Visual Effects VFXWorld

Water World: Delivering Blockbuster-Quality VFX for Warner Bros.’ ‘Aquaman’

VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.

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