Leading VFX studio uses Cospective’s remote review tools to help visualize CG crows, rusting ships, giant waves, Roy the Destroyer and other numerous effects for car maker’s X7 luxury SUV spot.
Tagged With: Moving Picture Company
Veteran finishing artist brings two decades of experience on shows like HBO’s ‘The Wire’ and ‘Sex in the City.’
From defying gravity to expressing emotion in a believable way, reality was key for animation supervisor Catherine Mullan and the team of artists at MPC.
David Piombino appointed deputy head of 2D alongside VFX supervisor Thiago Porto, CG lead Dan Fine and senior FX/CG supervisor Santosh Gunaseelan.
With VFX provided by MPC and Framestore, first-ever live-action movie based on the iconic face of the global Pokémon brand arrives in theaters on May 10, 2019.
Led by VFX supervisors Richard Little and Arundi Asregadoo, MPC Film delivers hero animation for the Upgraded Predator along with the Predator Dogs, a CG swamp environment, and more.
MPC’s LA studio promotes Morten Vinther to Creative Director and Jim Spratling to Head of 2D, with Daniel Seddon joining as VFX Supervisor.
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
VFX supervisor Axel Bonami details MPC’s development of new shooting techniques and software tools to create the stunning visuals for the live-action adaptation of the popular Manga series.
Full-length Virtual Reality experience created by director Rob Petrie and EP Tim Dillon to be released later this year.
Along with creative title sequence and in-theater Virtual Reality experience, MPC delivers 700 VFX shots for the Sony Pictures feature ranging from CG monsters and environments to magical effects.
As the lead VFX vendor, the Moving Picture Company delivers 425 shots for Ridley Scott’s space epic, including shuttle launch sequences, storm sequence, and scenes on Mars.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
3D Training Institute live webinar featuring MPC global recruiter Christina Zervos and MPC animator Julien Deragon held on Wednesday, April 29 will focus on how to start a career in 3D animation.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
A Nov. 4 story on MPC in Hollywood trade ‘Variety’ is met with negative commentary from the VFX community, including descriptions of deplorable working conditions and a toxic corporate environment.
Technicolor strikes a deal for an undisclosed amount to acquire Toronto-based visual effects studio Mr. X.
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’
Led by VFX Supervisor Arundi Asregadoo and VFX Producer Stefan Drury, MPC delivers 80 photoreal shots across nine scenes for The Monuments Men.