Chris Edwards in Beijing - Part 2: Virtual Visionary
THE THIRD FLOOR founder continues to champion virtual production and lead the charge into virtual reality.
THE THIRD FLOOR founder continues to champion virtual production and lead the charge into virtual reality.
GKIDS execs Eric Beckman and Dave Jesteadt continue feeding independent animated gems to a growing North American appetite.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated director of Disney’s hit, ‘Zootopia,’ talks about the decision to make significant story changes well into production on the animated feature film.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.
Director’s touching stop-motion feature tells moving story of a young orphan learning to trust and love again.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor discusses the challenges of virtual production on the hit Disney live-action/CG hybrid feature film.
Academy gives nod to supporting visual effects with nomination of Industrial Light & Magic team led by VFX supervisor Craig Hammack for director Peter Berg’s depiction of the disastrous 2010 Gulf of Mexico oil rig explosion and spill.
The Oscar-winning director of ‘Father and Daughter’ (2000) teams with famed Japanese animation studio’s Toshio Suzuki and Isao Takahata to produce his remarkable feature film debut exploring the life and our relationship with nature.
THE THIRD FLOOR founder talks about cutting edge production techniques and technology in a new global frontier.
Producer Gina Shay talks hugs, fuzz and the pressures of producing DWA’s peppy new animated musical comedy, now available on Digital HD and coming on Blu-ray and DVD.
No one talks as passionately about stylized water, and the artists who create it, as Laika VFX supervisor Steve Emerson.
Heading into Awards Season, the director of Disney’s 2016 photoreal live-action/CG hybrid action-adventure hit reflects on his initial skepticism and concerns adapting an animated feature film classic.
Many an unsuspecting parent’s judgement may be clouded by the neon rainbows, sparkling glitter and endless barrage of pop music that this film heaps onto the big screen.
Director Gareth Edwards delivers a film light on story but excellent when it comes to visuals and set piece moments.
Director Chris Appelhans bucks conventional industry “wisdom” by choosing VFX powerhouse as partner for first foray into crowded and uncertain Chinese animated feature film market.
The 2016 VIEW Conference kicks off next week in Turin - watch AWN's two-part interview with the Sony Pictures Animation artist from the 2015 edition.
VFX supervisor Russell Earl discusses the climactic airport battle complete with fully CG super heroes, environments and hundreds of digital assets on Marvel’s latest ‘Captain America’ franchise hit.
With the 2016 VIEW Conference kicking off October 24, watch AWN's two-part interview with Ben Snow from the 2015 edition.
Animation supervisor Steve Rawlins discusses Spider-Man, Ant-Man, Black Panther and other CG super hero characters ILM produced for Marvel’s action-adventure hit.
Animation supervisor Joshua Beveridge discusses bird wings, wolf packs, cutesy babies and pliable characters in Warner Bros and Sony Pictures Imageworks’ new animated family adventure.
LAIKA’s latest stop-motion feature arrives on digital HD November 8, 2016 and on Blu-ray combo pack and DVD November 22, 2016.
Veteran Sony Pictures Imageworks animation supervisor riffs on designs, characters and production complexity on Disney’s ‘Alice in Wonderland’ fantasy adventure sequel.
LAIKA’s CEO slides into the director’s chair to helm the studio’s stunning new stop-motion/CG hybrid animated feature.
‘Kung Fu Panda’ director’s long-awaited CG/stop-motion adaptation of the classic French novella finally gets released in the U.S.