Mocap setup was brought to Pinewood to record Lupita Nyong’o’s scene in the Oscar-nominated ‘Star Wars’ film.
Motion capture and animation studio brings in new talent to elevate client facing experience and custom workflow solutions.
Vicon motion capture cameras and software aided in the creation of undead soldiers, crowded cities and even the Hulk, all in a matter of days.
New continuous calibration feature eliminates the need for wand waves. New version also adds functionality for movement sciences, character animation, VR and robotics.
Live mocap link from London to Montreal employing Vicon’s Shōgun and Epic’s Unreal Engine helps artists produce a digital crowd in less than 24 hours.
Every Friday Chris Robinson unleashes improvised and hastily scribbled cheer or loathing on the animation community to be digested, swallowed or... expelled. Today: Just what the hell is animation anyway?
Software delivers high-grade data without markers, volumes or cameras.
Artificial intelligence meets emotional intelligence in VR
Models supervisor Florian Fernandez talks about his team’s use of proprietary Manuka ray tracer to create photorealistic apes and more for Matt Reeves’ futuristic action-adventure hit.
Application creates real-time facial motion capture and recording without markers using a webcam.
Mocapped performances by members of the Paris Ballet are taken to poetic flights of fancy in CG-animated feature from Gaumont.
The leading markerless 3D-facial motion capture solutions provider has announced a Windows-Native, C++ SDK that enables developers and creatives to build their own real-time, interactive applications SDK for its real-time facial mocap and animation technology, Faceware Live, which it will be discussing at SIGGRAPH 2017 (Booth 741) Aug 1–3.
Proprietary ‘motion scanning’ technology captures 4D data comprising video rate 3D surface scans tracked with a dense fixed topology mesh.
Integrates with Dynamixyz to offer film and game studios more realistic character animations.
MOVA developers suing Disney and Marvel for IP Infringement expand lawsuit to include ‘Deadpool,’ and ‘Terminator: Genisys’ features and ‘Rise of the Tomb Raider’ video game.
VFX supervisor Jessica Norman’s London, Montreal and Bangalore teams handle nearly 500 shots on Warner Bros. DC Comics-inspired hit superhero film.
Framestore VFX supervisor Kyle McCulloch shares how Mrs. Potts, Lumiere, Cogsworth, Cadenza and Garderobe were brought to life in Disney’s hit live-action remake of the classic 1991 animated feature.
Intellectual property lawsuit alleges Disney, Marvel and others knowingly infringed copyrights, trademarks, and/or patents by using stolen CG technology in blockbuster movies.
Both the actor and the Academy Award-winning VFX supervisor for WETA Digital, respectively, will sit on the keynote panel and host an exclusive Q&A following an early screening of ‘War for the Planet of the Apes,’ their recent collaboration.
Version 3.5 of the markerless mocap solution doubles tracking speed, increases calibration speed and accuracy and provides enhanced animation export functionality.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
The new office will offer enhanced support for OptiTrack’s expanded European customer base and distributors.
Vicon’s products, services and support will help Technicolor Experience Center build an immersive storytelling ecosystem.
Watch how the planet’s first animated liquid 3D human was captured in camera!
The New Zealand studio tackles 600 shots including the Final Battle, Ego, Rocket, Baby Groot and a host of explosions in Marvel’s latest sci-fi action adventure.
