Does the Middle Kingdom’s growing use of quality previsualization efforts portend greater VFX-heavy film success to come?
Tagged With: Monster Hunt
Beijing-based VFX house provided visual effects for Chinese box office hits ‘Monster Hunt’ and ‘Star Wars: The Force Awakens.’
Directed by ‘Shrek the Third’ co-director Raman Hui, live-action/CG-animated hybrid feature will open in 3D on January 22 in all major North American markets.
The CEO at one of China’s top VFX studios assesses the often painful but mostly positive realities of China’s explosive feature film industry growth.
Cautious yet flexible expansion at one of China’s top VFX studios has caught the attention of both the Middle Kingdom and Hollywood’s biggest players.
This year at Annecy’s MIFA animation marketplace, the conversation about Chinese animation was anything but the same old story.
Illumination Entertainment's ‘Minions’ beats the lifetime totals of ‘Despicable Me 2’ ($975.5 million) and ‘The Lion King’ ($987.5 million) to become the third-highest-grossing animated film of all time worldwide.
Universal's N.W.A. biopic ‘Straight Outta Compton’ leads the pack at the North American box office with a $60.2 million debut, helping to push Universal past the $2 billion mark domestically.
Beijing’s BaseFX founder and CEO Chris Bremble discusses the process and challenges of producing animation and visual effects for the most successful feature film in Chinese history.
After being rejected by critics and audiences alike, 20th Century Fox's ‘Fantastic Four’ sees one of the lowest openings of all time for a big-budget studio super hero movie.
Paramount Pictures and Skydance Productions’ $150 million tentpole feature launches to $65 million overseas for an early total of $121 million worldwide.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.