After a year of steady growth, visual effects house bolsters its NYC office roster with hiring of two new VFX supervisors.
Showrunner Sascha Paladino and art director Dorothea Gerassimova discuss the challenges and rewards of celebrating India’s wonderful cultural diversity with an international kids’ audience.
Mike Chambers returns for his sixth term as committee chair.
French multi-national, owner of leading VFX and creative studios MPC, The Mill, Mr. X and Mikros, is indicted after seven-year investigation by French authorities.
Recruiter, formerly at Dneg TV, Double Negative and the Mill, plans to expand studio’s creative team on projects like ‘Wonder Woman 1984’ and ‘Spider-Man: Far from Home.’
Mill Mascot combines real-time game engine technology with motion sensors so characters can be puppeteered through hand and facial gestures to enable live, broadcast-quality CG character performances.
DreamWorks Animation, Google VR, NVIDIA, The Mill, and the USC Institute for Creative Technologies among 15 award recipients to be honored at 9th Technology Lumiere Awards.
Exec brings extensive production experience in film, television and commercials to the company’s advertising division.
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.
Event confirms Phil Tippett and Aardman’s David Sproxton as speakers at the annual conference set for April 24-27 in Stuttgart, Germany.
Unreal Engine 4 with NVIDIA Quadro brings proven reliability and performance to manufacturers, designers, content creators.
Sue Troyan, Tim Davies and Darcy Parsons team up to deliver creative quality and client trust in the new company.
Epic Games showcases advancements in virtual, augmented and mixed reality as well as the impact of the Cloud, AI and machine learning on production pipelines, at is first-ever User Group meetup at SIGGRAPH 2017.
SIGGRAPH 2017 Computer Animation Festival award winners “Song of a Toad,” “John Lewis Buster the Boxer” and “Garden Party” were presented their statues amid a conference that covered important advances and collaborations in animation, visual effects, AR/VR and robotics.
The Mill's creative director Lisha Tan and art director Tim Devlin reveal the technical and creative challenges behind the powerful music video.
New crowd simulation agent delivers lifelike, feature film quality movements recorded by one of the world’s leading motion capture studios.
Industry-leading simulation tool features improved workflow for creating crowds, expanded shading options, and universal plugin to ensure compatibility with all major 3D software.
Emerging Technologies, Studio, and Real-Time Live! programs include touch holograms, a varifocal optical layout, ‘Star Wars Battlefront VR,’ and more.
Ottawa International Animation Festival selects 92 films from 1,992 entries, including ‘The Story of O.J.,’ designed and animated by The Mill and Titmouse, Clyde Petersen’s ‘Torrey Pines,’ Eva Cvijanovic’s ‘Hedgehog’s Home,’ and ‘My Father’s Room’ from South Korean director Nari Jang.
Representing more than 600 academic facilities located in over 80 countries worldwide, worldwide, Autodesk-sponsored student competition received 8,725 digital projects created by 2,752 students.
Here's how the VFX for Super Bowl 51's most popular spot came together
Watch the crazed 90-second VFX extravaganza from Rogue director Sam Brown and The Mill VFX crew in London
Deadline for submissions to Autodesk-sponsored global competition is May 29th.
The Unreal Engine, virtual production technology, and an iconic brand come together in ‘The Human Race,’ a real-time short film and AR presentation.
Mill+ directing collective bif choreograph a surreal collision of live action and CG
