Once again, the technology company’s professional GPUs are behind all five VFX Oscar nominees; the 93rd annual Academy Awards take place this Sunday, April 25.
Tagged With: The Midnight Sky
Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.
‘Love and Monsters,’ ‘The Midnight Sky,’ ‘Mulan,’ ‘The One and Only Ivan,’ and ‘Tenet’ vie for this year’s Best Visual Effects Oscar.
Star-studded virtual ceremony, hosted by barb-slinging Patton Oswalt, included 25 category awards and special honors for VFX supervisor Rob Legato and director Sir Peter Jackson.
This year’s batch of animated and VFX-driven feature films shows that despite the pandemic, artists around the world continued pushing the boundaries of visual storytelling.
‘Onward,’ ‘Soul,’ and ‘Wolfwalkers’ get nods in the Animated Film category; ‘Greyhound,’ ‘The Midnight Sky,’ ‘Mulan,’ ‘The One and Only Ivan,’ and ‘Tenet’ nominated for Special Visual Effects.
Warner Bros.’ reverse-action sci-fi thriller and Pixar’s look at a Black jazz musician’s reflection on his own life and what makes it worth living were honored by the Critics Choice Association at their 26th annual ceremony.
VFX and animated short categories narrowed down to 10 films each; voting for nominations runs March 5-10.
'Greyhound,' 'Mank,' ‘The Invisible Man,’ and ‘The Midnight Sky’ round out the Critics Choice Association nominations in the Best Visual Effects category for the upcoming 26th annual awards.
New 2021 rules promote diversity in membership and voting; Pixar’s animated feature ‘Soul’ longlisted in five categories including Best Film, Animated Film, Special Visual Effects, Original Score, and Sound.